Which motions, emotions and gestures can musicians convey?
Liselyn Adams
- Professor Emeritus
- Department of Music
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Sandeep Bhagwati
music making, research-creation, transdisciplinarity
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Michael Montanaro
transformation, transmutation, proposition/purpose
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Louise Samson
music making, piano, performing arts
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Noah Drew
voice, acting, voice training
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Kathy Kennedy
sound, voice, music making
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Christine Beckett
music making, music education, neuroimaging
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Craig Morrison
ethnomusicology, popular culture, cultural history
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Joshua Rager
jazz, improvisation, piano
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Audrey-Anne Bouchard
design for the theatre, lighting design, drama/performance
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Angélique Willkie
dance dramaturgy, contemporary circus, Josephine Baker
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Ricardo Dal Farra
music composition, electroacoustic studies, research-creation
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Owen Chapman
sound, locative media, electroacoustic studies
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Rosemary Mountain
aesthetics, music composition, musical analysis
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Luigi Allemano
animation, drawing, music making
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Rachael Van Fossen
theatre for social change, socially committed art practice, experimental theatre
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Eldad Tsabary
ear training, electroacoustic studies, laptop orchestra
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Philip Szporer
perception, embodiment, movement
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Louis Patrick Leroux
experimental theatre, contemporary circus, drama/performance
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Andra McCartney
sound art, listening/hearing, soundwalks
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Lynn Hughes
game studies and design, interdisciplinary soup, media arts
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Mark Corwin
electroacoustic studies, music composition, listening/hearing
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Ursula Neuerburg-Denzer
acting, physical theatre, affect
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Tagny Duff
viral media, biomedia, vitalities
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Eric Mongerson
design for the theatre, set design, lighting design
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pk langshaw
social design, research-creation, media arts
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Robert Reid
acting, stage poetics, old/new
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Xavier-Henri Hervé
incubator of innovation, collaborative action, entrepreneurship
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Luis C. Sotelo Castro
oral history performance, listening/hearing, experimental theatre
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Nicola Oddy
music therapy, voice, music making
