How can we do the impossible on stage?
Eric Mongerson
- Professor Emeritus
- Department of Theatre
- design for the theatre4
- set design4
- lighting design2
- technical direction for the theatre
- stage management2
- theatre administration
- theatre technology2
- sound for the theatre
- drama/performance29
- drama therapy6
- ethnodrama2
- community arts13
- video in theatre3
- projection3
- transdisciplinarity28
- sound studies29
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Stephen Snow
drama therapy, ethnography, trauma and resilience
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Ana Cappelluto
scenography, audience, devised theatre
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Noah Drew
voice, acting, voice training
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Raymond Marius Boucher
scenography, performance design, design for the theatre
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Rachael Van Fossen
theatre for social change, socially committed art practice, experimental theatre
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Amy Keith
drama/performance, design for the theatre, set design
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Louis Patrick Leroux
experimental theatre, contemporary circus, drama/performance
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Tim Schwab
documentary making, new media studies, first person media production
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Robert Reid
acting, stage poetics, old/new
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Luigi Allemano
animation, drawing, music making
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Angélique Willkie
dance dramaturgy, contemporary circus, Josephine Baker
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Katherine McLeod
Canadian literature, Canadian poetry, sound studies
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Kathy Kennedy
sound studies, voice, music making
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Guylaine Vaillancourt
music therapy, arts-based learning, participatory action research
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Mark Sussman
experimental theatre, puppetry, performance studies
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Yehudit Silverman
arts-based learning, masks, drama therapy
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Liselyn Adams
music making, contemporary music, baroque music
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Sandeep Bhagwati
music making, research-creation, transdisciplinarity
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Luis C. Sotelo Castro
oral history performance, listening/hearing, experimental theatre
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Bill Vorn
machines, artificial behaviors/misbehaviors, performance art
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Edward (Ted) Little
theatre for social change, dramatic theory, verbatim theatre
