How can choreography, as a critical extended practice, support and generate human/posthuman experiences and transdisciplinary knowledge?
Lilia Mestre
- Assistant Professor
- Department of Contemporary Dance
- dance dramaturgy2
- choreographic practice4
- choreographic composition
- written/drawn scores
- experimental theatre17
- movement16
- the political4
- relational art7
- everydayness10
- curatorial practices21
- radical pedagogy4
- research-creation35
- performance studies24
- critical dance studies5
- perception21
- arts-based learning31
- collective creation13
- transdisciplinarity29
- collectivity and community
- experimental writing
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Rachael Van Fossen
theatre for social change, socially committed art practice, experimental theatre
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Erin Manning
movement, relational art, radical pedagogy
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Koby Rogers Hall
activism, social practice, research-creation
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Angélique Willkie
dance dramaturgy, contemporary circus, Josephine Baker
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Sandeep Bhagwati
music making, research-creation, transdisciplinarity
-
Florence Figols
dance creation, perception, embodiment
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Meghan Moe Beitiks
contemporary art, research methodologies, performance art
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MJ Thompson
performance studies, critical dance studies, writing pedagogies
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Lynn Hughes
game studies and design, interdisciplinary soup, media arts
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Luis C. Sotelo Castro
oral history performance, listening/hearing, experimental theatre
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Rebecca Duclos
museology (museum studies), curatorial practices, contemporary art
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Bonnie Harnden
drama therapy, trauma and resilience, attachment
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Liselyn Adams
music making, contemporary music, baroque music
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Jaret Vadera
perception, cultural and social change, radical imaginaries
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Shauna Janssen
transdisciplinarity, new media dramaturgy, immersive storytelling
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Philip Szporer
perception, embodiment, movement
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Gene Gibbons
performance creation, devised theatre, new dramaturgy
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Baron T. Tymas
jazz, guitar, music composition
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Mark Sussman
experimental theatre, puppetry, performance studies
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Stephen Snow
drama therapy, ethnography, trauma and resilience
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Louis Patrick Leroux
experimental theatre, contemporary circus, drama/performance
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Floyd Favel
Indigenous performance theory, Indigenous theatre, performance studies
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Jens Richard Giersdorf
critical dance studies, choreographies of politics, embodiment
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Jessica Carmichael
theatre directing, dramaturgy, acting
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Erika Adams
print media, textuality, collective creation
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Israël Dupuis
social design, community-university, digital media
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VK Preston
cultural history, performance studies, embodiment
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Nadia Myre
contemporary art, Indigenous cultural production, research-creation
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Aileen Pugliese Castro
holistic art education, illustrated books, imagination
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John Latour
Canadian art history, visual arts, librarianship
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Emer O'Toole
performance studies, Irish theatre, activist art
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Arseli Dokumaci
critical disability studies, performance studies, micro-activist affordances
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Chih-Chien Wang
everydayness, perception, presence
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pk langshaw
social design, research-creation, media arts
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Eldad Tsabary
sound-focused aural training, laptop orchestra, electroacoustic studies
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Kate Bligh
playwriting, Shakespeare, Jerzy Grotowski
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Joanabbey Sack
improved communication skills, disability, participatory action research
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Noah Drew
voice, acting, voice training
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David Pariser
teacher training, arts-based learning, critical thinking
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Ricardo Dal Farra
music composition, electroacoustic studies, research-creation
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Robert Reid
acting, stage poetics, old/new
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Michael Montanaro
transformation, transmutation, proposition/purpose
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Yehudit Silverman
arts-based learning, masks, drama therapy
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David Morris
phenomenology, Hegel, movement
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Christopher Salter
performance art, responsive environments, wireless sensor networks
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Tagny Duff
viral media, biomedia, vitalities