Can we find the inherent logic unique to each individual creative process? Which pathways will lead to those discoveries?
Angélique Willkie
- Concordia University Research Chair in Ecologies of B/black Performance
- Special Advisor to the Provost on Black Integration and Knowledges
- Associate Professor
- Department of Contemporary Dance
- dance dramaturgy2
- contemporary circus4
- Josephine Baker
- choreographic practice4
- transdisciplinarity29
- dance technique
- Blackness4
- identities25
- politics of ethnicity9
- voice9
- human body23
- movement16
- release-awareness
- drama/performance29
- critical dance studies5
- improvisation9
- music making23
- rhythm3
- urban futures47
-
Lilia Mestre
dance dramaturgy, choreographic practice, choreographic composition
-
Jens Richard Giersdorf
critical dance studies, choreographies of politics, embodiment
-
Noah Drew
voice, acting, voice training
-
Kathy Kennedy
sound studies, voice, music making
-
Liselyn Adams
music making, contemporary music, baroque music
-
Sandeep Bhagwati
music making, research-creation, transdisciplinarity
-
Erin Manning
movement, relational art, radical pedagogy
-
Luigi Allemano
animation, drawing, music making
-
Baron T. Tymas
jazz, guitar, music composition
-
Florence Figols
dance creation, perception, embodiment
-
Joshua Rager
jazz, improvisation, piano
-
Maurice Charland
rhetoric and discourse, argumentation, political theory
-
Ursula (Ulla) Neuerburg-Denzer
acting, physical theatre, affect studies
-
MJ Thompson
performance studies, critical dance studies, writing pedagogies
-
Ricardo Dal Farra
music composition, electroacoustic studies, research-creation
-
Louis Patrick Leroux
experimental theatre, contemporary circus, drama/performance
-
Mark Sussman
experimental theatre, puppetry, performance studies
-
Yehudit Silverman
arts-based learning, masks, drama therapy
-
Robert Reid
acting, stage poetics, old/new
-
Geneviève Rail
women's health, sociology of medicine, biopolitics
-
Christine Beckett
music making, music education, neuroimaging
-
Philip Szporer
perception, embodiment, movement
-
Gene Gibbons
performance creation, devised theatre, new dramaturgy
-
Norma Rantisi
sustainable development, urban economic development, deindustrialization
-
Marc Lafrance
masculinities, skin, human body
-
Kit Brennan
playwriting, narrative, storytelling
-
VK Preston
cultural history, performance studies, embodiment
-
Rachael Van Fossen
theatre for social change, socially committed art practice, experimental theatre
-
Johanne Sloan
contemporary art, Canadian art history, visual culture
-
Tagny Duff
viral media, biomedia, vitalities
-
Kate Sterns
creative writing, writing fiction, anatomical waxworks
-
Kate Bligh
playwriting, Shakespeare, Jerzy Grotowski
-
Rebecca Duclos
museology (museum studies), curatorial practices, contemporary art
-
Michael Bossert
Next Generation Cities, innovation management, living labs
-
Eldad Tsabary
sound-focused aural training, laptop orchestra, electroacoustic studies
-
Anthony Synnott
masculinities, gender and sexuality, beauty
-
Joanna Berzowska
electronic textiles, interaction design, responsive garments
-
Michael Montanaro
transformation, transmutation, proposition/purpose
-
Laurel Young
music therapy, gerontology, community arts
-
Laura Endacott
visual culture, contemporary art, relational art
-
Eric Mongerson
design for the theatre, set design, lighting design
-
Guylaine Vaillancourt
music therapy, arts-based learning, participatory action research
-
Evergon
self-portrait, photography, gay sexuality
-
Stephen Snow
drama therapy, ethnography, trauma and resilience
-
Arseli Dokumaci
critical disability studies, performance studies, micro-activist affordances
-
Nicola Oddy
music therapy, voice, music making
-
David Morris
phenomenology, Hegel, movement
-
Maurice Riley Case
Black flourishing, social transformation, institutional change
