Can we bend reality by liberating performed action from traditional set responses?
Michael Montanaro
- Professor
- Department of Contemporary Dance
- transformation2
- transmutation
- proposition/purpose
- alchemy2
- illusion
- possession/conflict
- intermedia10
- movement16
- technological animation
- sensory adaptation
- prediction5
- performance studies24
- transparency
- non-invasive systems
- surroundings/the surrounded
- interactivity19
- virtual environments9
- urban futures45
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Liselyn Adams
music making, contemporary music, baroque music
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Mark Sussman
experimental theatre, puppetry, performance studies
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Leila Sujir
media arts, 3D digital imaging, virtual environments
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Sandeep Bhagwati
music making, research-creation, transdisciplinarity
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Christopher Salter
performance art, responsive environments, wireless sensor networks
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Yehudit Silverman
arts-based learning, masks, drama therapy
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Jean-Claude Bustros
generative storytelling, responsive environments, urban embedded cinema
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Lorraine Oades
material culture, performance art, DIY
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Laura Endacott
visual culture, contemporary art, relational art
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Jonathan Lessard
history of games, game studies and design, videogames
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MJ Thompson
performance studies, critical dance studies, writing pedagogies
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Philip Szporer
perception, embodiment, movement
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Angélique Willkie
dance dramaturgy, contemporary circus, Josephine Baker
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Ursula (Ulla) Neuerburg-Denzer
acting, physical theatre, affect studies
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Charalambos (Charis) Poullis
computer vision, computer graphics, deep learning
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Arseli Dokumaci
critical disability studies, performance studies, micro-activist affordances
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Linda Swanson
ceramics, materiality, temporality
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Florence Figols
dance creation, perception, embodiment
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Antonia Hernández
spatial media, poetics of governance, digital cultures
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Jens Richard Giersdorf
critical dance studies, choreographies of politics, embodiment
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Alice Jarry-Girard
materiality, urban futures, design for sustainability
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Tagny Duff
viral media, biomedia, vitalities
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Lilia Mestre
dance dramaturgy, choreographic practice, choreographic composition
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Bill Vorn
machines, artificial behaviors/misbehaviors, performance art
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Erin Manning
movement, relational art, radical pedagogy