How do we convey an idea, express a voice, or compose a narrative within the flow of image‑sound?
Marielle Nitoslawska
- Professor
- Mel Hoppenheim School of Cinema
- avant-garde cinemas4
- politics of perception2
- sensate representation
- women’s histories
- heritage preservation5
- storytelling42
- embodied narrative
- cinema30
- cinematography4
- women and film/media5
- temporality14
- film/media production24
- poetics of nonfiction
- ethnography32
- experimental cinema10
- expanded documentary2
- documentary making24
- perception20
- representation42
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Marianna Marta Milhorat
film/media production, experimental cinema, cinema
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Michael Yaroshevsky
cinematography, photography, perception
-
Roy Cross
craft of fiction, screenwriting, cinema
-
Richard Hancox
personal cinema, experimental cinema, autobiography
-
Guylaine Dionne
cinema, screenwriting, multimedia
-
Chih-Chien Wang
everydayness, perception, presence
-
Donato Totaro
moving image studies, temporality, horror genre
-
Jessica Auer
photography, cultural history, landscape
-
Jean-Claude Bustros
generative storytelling, responsive environments, urban embedded cinema
-
Matt Soar
research-creation, cities, material culture
-
Nicolas Renaud
Indigenous cinema, Huron-Wendat Nation, Indigenous ecology
-
Louise Lamarre
Holo Editorial Layering Process, l'Atlas Cinematographique, moving image technologies
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Marco Luna Barahona
virtual reality (VR), responsive environments, digital media
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Mary Ellen Davis
film/media production, social justice education, documentary making
-
Tim Schwab
documentary making, new media studies, first person media production
-
Brian Lewis
technological change, social impacts of technology, research networks
-
Elizabeth (Liz) Miller
documentary making, video advocacy, social justice
-
Ronald Rudin
public history, French Canada, oral history
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Daniel Cross
documentary making, democratic values, cultural and social change
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Catherine Russell
film/media theory, criticism, Japanese cinema
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Raymonde April
autofiction, afterlife, storytelling
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Alisi Telengut
research-creation, under-camera animation, post-human critical theory
-
Miao Song
cinema, interactive projection mapping, China studies
-
David Pariser
teacher training, arts-based learning, critical thinking
-
Cilia Sawadogo
animation, cinema, film/media production
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Marisa Portolese
portraiture, women's studies, storytelling
-
Luca Caminati
cinema, postcolonial literature and theory, orientalism
-
David Douglas
history of the moving image, Cuban cinema, avant-garde cinemas
-
Stephanie Bolster
ekphrasis, the lyric, poetry
-
Yehudit Silverman
arts-based learning, masks, drama therapy
-
Luc Otter
animation director, computer animation, traditional animation
-
Maria-Carolina Cambre
visual cultural studies, sociology of knowledge, media studies
-
Shira Avni
animation, animated documentary, disability rights
-
Hannah Claus
contemporary art, Kanien'kehá:ka, installation
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Razan AlSalah
media arts, critical geography, Palestine
-
René Lemieux
translation studies, translation theory, intercultural communication
-
Deanna Bowen
contemporary art, Black Canadian history, institutional critique
-
Beverley Best
capitalism, international political economy, globalization
-
Cáel Marcas Keegan
gender and sexuality, moving image studies, popular culture
-
Luis C. Sotelo Castro
oral history performance, listening/hearing, experimental theatre
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Anna Sheftel
oral history, historical memory, trauma and resilience
-
Rosemary Mountain
aesthetics, music composition, musical analysis
-
Velibor Božović
photography, other lives of the photograph, historical memory
-
Haidee Wasson
emergent media, moving image technologies, cultural institutions
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Luigi Allemano
animation, drawing, music making
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Anthony Synnott
masculinities, gender and sexuality, beauty