How does the novel shape our understanding of ourselves as ethical and political agents?
Cynthia Quarrie
- Assistant Professor
- Department of English
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Ariela Freedman
literary modernism, James Joyce, graphic novels
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Matthew Penney
Japanese history, postwar history, popular culture
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Anna Sheftel
oral history, historical memory, trauma and resilience
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Lucie Lequin
littérature québécoise, ethnocultural diversity, Quebec studies
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Meredith Evans
Renaissance literature, Shakespeare, Milton
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Peter C. van Wyck
semiotics of environment, nature/culture, place
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Judith Herz
literature studies, poetry, narrative
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Max Bergholz
intercommunal violence, nationalism, historical memory
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Marcie Frank
British literature, modernity, narrative
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Bina Freiwald
autobiography, subjectivity, women's writing
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Mitch Mitchell
identities, storytelling, trauma and resilience
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Louis Patrick Leroux
experimental theatre, contemporary circus, drama/performance
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Zeynep Arsel
material culture, representation, consumption
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Stephanie Bolster
ekphrasis, the lyric, poetry
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Terence Byrnes
photography, portraiture, posing
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Marisa Portolese
portraiture, women's studies, storytelling
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Josip Novakovich
writing fiction, creative nonfiction, short story
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Valérie de Courville Nicol
subjectivity, emotions, representation
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Catherine Wild
contemporary art, visual culture, accretion
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Danielle Bobker
British literature, 18th century, Restoration
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Sandra Chang-Kredl
teacher identity, popular culture, memory
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Alison Reiko Loader
history of media arts, feminist media studies, media arts
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Ursula (Ulla) Neuerburg-Denzer
acting, physical theatre, affect studies
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Andrew Ivaska
African studies, political movements, 'global 1960s'
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Kate Sterns
creative writing, writing fiction, anatomical waxworks
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Stephen Yeager
medieval literature, literature studies, poetry
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Patrick McDonagh
history of intellectual disability, literature studies, cultural history
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Jesse Arseneault
African studies, animality, cultural studies
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Nicola Tullio Pezolet
modernism, architecture studies, built environment
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Gavin Foster
Irish history, Irish studies, cultural history
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Frank Chalk
genocide studies, Holocaust history, nationalism
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Lian Duan
Chinese as a second language, classical Chinese literature, visual arts
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Nathan Brown
poetry, poetics, critical theory
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Stephen Powell
medieval literature, Chaucer, romance
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Maria-Carolina Cambre
visual cultural studies, sociology of knowledge, media studies
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Chih-Chien Wang
everydayness, perception, presence
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Stéphane Martelly
research-creation, creative writing, visual arts
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Deniz Duruiz
war and organized violence, racialization, refugees
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John Potvin
modernism, fashion studies, interior design
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Maya Rae Oppenheimer
cultural history, history of media arts, materiality
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René Lemieux
translation studies, translation theory, intercultural communication
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Cáel Marcas Keegan
gender and sexuality, moving image studies, popular culture
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Marie-Pier Joly
mental health, migration studies, health and wellness
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Luis C. Sotelo Castro
oral history performance, listening/hearing, experimental theatre
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Balbir K. Singh
visual cultural studies, critical ethnic studies, surveillance
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Sowparnika Balaswaminathan
material culture, nationalism, postcoloniality
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Jonathan Lessard
history of games, game studies and design, videogames
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Laura Endacott
visual culture, contemporary art, relational art
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Omri Moses
literary modernism, vitalist psychology, selfhood
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Mary Esteve
American literature, post-WWII, literary realism
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Darren Wershler
history of media arts, new media studies, digital cultures
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Bradley J. Nelson
Hispanic literature and culture, social impacts of technology, history of science
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Beverley Best
capitalism, international political economy, globalization
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Holly Recchia
child development, moral development, interpersonal conflict
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Graham Carr
20th century, North American history, Canadian cultural history
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Deanna Bowen
contemporary art, Black Canadian history, institutional critique
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Ronald Rudin
public history, French Canada, oral history
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Claudine Mangen
corporate governance, corporate disclosures, gender