What are the historical precedents for today's practices of sound recording, synthesis and playback?
Owen Chapman
- Professor
- Department of Communication Studies
- sound studies30
- locative media3
- electroacoustic studies7
- digital sound technology4
- intermedia10
- research-creation40
- sampling4
- remix/mashup culture2
- music making23
- Ondes Martenot
- Theremin
- Hammond organ
- DJ
- art practice15
- mobile media15
- audio recording arts4
- sound design6
- critical disability studies19
- communication therapy toys
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Zachary (Zak) Patterson
transportation planning, sustainable transportation, transportation modeling
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Kim Sawchuk
age studies, age-friendly cities, feminism
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Matt Soar
research-creation, cities, material culture
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Elizabeth (Liz) Miller
documentary making, video advocacy, social justice
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Mark Corwin
electroacoustic studies, music composition, listening/hearing
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Florian Grond
interaction design, immersive audio, assistive technology design
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Eldad Tsabary
sound-focused aural training, laptop orchestra, electroacoustic studies
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Ricardo Dal Farra
music composition, electroacoustic studies, research-creation
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Sandeep Bhagwati
music making, research-creation, transdisciplinarity
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Kathy Kennedy
sound studies, voice, music making
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Liselyn Adams
music making, contemporary music, baroque music
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Giuliana Cucinelli
social impacts of technology, youth culture, social media
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Leila Sujir
media arts, 3D digital imaging, virtual environments
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Juan Carlos Castro
complex dynamic systems, arts-based learning, teacher training
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Rosemary Mountain
aesthetics, music composition, musical analysis
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Noah Drew
voice, acting, voice training
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Luigi Allemano
animation, drawing, music making
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Gabriel Vigliensoni
music production technologies, machine learning, deep learning
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Nadia Myre
contemporary art, Indigenous cultural production, research-creation
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Baron T. Tymas
jazz, guitar, music composition
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Antonia Hernández
spatial media, poetics of governance, digital cultures
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Luis C. Sotelo Castro
oral history performance, listening/hearing, experimental theatre
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John Latour
Canadian art history, visual arts, librarianship
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Shauna Janssen
performance studies, scenography, transdisciplinarity
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Arseli Dokumaci
critical disability studies, performance studies, micro-activist affordances
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Barbara Lorenzkowski
North American history, history of children and youth, war and memory
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Lorrie Blair
research methods in art education, teacher identity, teacher training
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Joseph Siddiqi
painting, drawing, mindfulness
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Alison Reiko Loader
history of media arts, feminist media studies, media arts
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Lorraine Oades
material culture, performance art, DIY
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Christopher Salter
performance art, responsive environments, wireless sensor networks
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Steven High
oral history, public history, working class studies
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Lynn Hughes
game studies and design, interdisciplinary soup, media arts
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Tagny Duff
viral media, biomedia, vitalities
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Erin Manning
movement, relational art, radical pedagogy
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Cynthia Bruce
music therapy, critical disability studies, inclusive teaching and learning
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Bill Vorn
machines, artificial behaviors/misbehaviors, performance art
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Vivek Venkatesh
hate crimes, racialization, radicalization