In what ways do sculptural multiples in excess evoke remembered histories of trauma and guilt?
Mitch Mitchell
- Associate Professor and Acting Chair
- Department of Studio Arts
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Erika Adams
print media, textuality, collective creation
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Deanna Bowen
contemporary art, Black Canadian history, institutional critique
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Lorraine Oades
material culture, performance art, DIY
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Aaron McIntosh
identity politics, quilting, gay sexuality
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Juan Ortiz-Apuy
sculpture, installation, material culture
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Velibor Božović
photography, other lives of the photograph, historical memory
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Christopher Moore
humour and parody, playfulness, social transformation
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Surabhi Ghosh
installation, narrative, site-responsive
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Chih-Chien Wang
everydayness, perception, presence
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Mat Karas
ceramics, craft, clay
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Nadia Myre
contemporary art, Indigenous cultural production, research-creation
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Laura Endacott
visual culture, contemporary art, relational art
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Cheryl Simon
contemporary art, globalization, media arts
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Raymonde April
autofiction, afterlife, storytelling
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Barbara Lorenzkowski
North American history, history of children and youth, war and memory
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Luc Otter
animation director, computer animation, traditional animation
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Hannah Claus
contemporary art, Kanien'kehá:ka, installation
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Meghan Moe Beitiks
contemporary art, research methodologies, performance art
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Catherine Wild
contemporary art, visual culture, accretion
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Bill Vorn
machines, artificial behaviors/misbehaviors, performance art
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Luis C. Sotelo Castro
oral history performance, listening/hearing, experimental theatre
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Anna Sheftel
oral history, historical memory, trauma and resilience
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Lisa Ndejuru
Black wellness, arts in health, trauma and resilience
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Jessica Auer
photography, cultural history, landscape
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Cynthia Girard-Renard
visual arts, social justice, poetry
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Jared Wiercinski
digital libraries, open access, digital scholarship
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Linda Swanson
ceramics, materiality, temporality
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Kelly Jazvac
sculpture, installation, plastic waste
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Jessica Bardill
Indigenous literatures, Indigenous knowledges, storytelling
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Jaret Vadera
perception, cultural and social change, radical imaginaries
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Emanuel Lowi
Inuit, Indigenous studies, contemporary Indigenous politics
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Michael Yaroshevsky
cinematography, photography, perception
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Martha Langford
photography history, photography theory, Canadian art history
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Kathleen Vaughan
socially committed art practice, public pedagogies, research-creation
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Rebecca Duclos
museology (museum studies), curatorial practices, contemporary art
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Joseph Siddiqi
painting, drawing, mindfulness
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Noah Drew
voice, acting, voice training
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Ursula (Ulla) Neuerburg-Denzer
acting, physical theatre, affect studies
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Kit Brennan
playwriting, narrative, storytelling
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Cilia Sawadogo
animation, cinema, film/media production
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Luigi Allemano
animation, drawing, music making
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Ariela Freedman
literary modernism, James Joyce, graphic novels
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Josée Leclerc
the witness function of art, survival strategies, trauma and resilience
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Marisa Portolese
portraiture, women's studies, storytelling
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Mark Corwin
electroacoustic studies, music composition, listening/hearing
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Leila Sujir
media arts, 3D digital imaging, virtual environments
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Zeynep Arsel
material culture, representation, consumption
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Evergon
self-portrait, photography, gay sexuality
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Cynthia Quarrie
British literature, contemporary literature, ethics
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Graham Carr
20th century, North American history, Canadian cultural history
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Yehudit Silverman
arts-based learning, masks, drama therapy
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Christopher Salter
performance art, responsive environments, wireless sensor networks
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Kristina Huneault
meaning, Canadian art history, selfhood
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Monika Kin Gagnon
Expo 67, ethnocultural diversity, memory
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Tagny Duff
viral media, biomedia, vitalities
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Max Bergholz
intercommunal violence, nationalism, historical memory