How do we create our own myths?
Kit Brennan
- Professor Emeritus
- Department of Theatre
-
Noah Drew
voice, acting, voice training
-
Kate Sterns
creative writing, writing fiction, anatomical waxworks
-
Sina Queyras
ecopoetics, poetry, women's writing
-
Marcie Frank
British literature, modernity, narrative
-
Yehudit Silverman
arts-based learning, masks, drama therapy
-
Terence Byrnes
photography, portraiture, posing
-
Kathleen Vaughan
socially committed art practice, public pedagogies, research-creation
-
Luis C. Sotelo Castro
oral history performance, listening/hearing, experimental theatre
-
Raymonde April
autofiction, afterlife, storytelling
-
Jessica Auer
photography, cultural history, landscape
-
Velibor Božović
photography, other lives of the photograph, historical memory
-
Daniel O'Leary
Canadian studies, Canadian literature, history of the book
-
Angélique Willkie
dance dramaturgy, contemporary circus, Josephine Baker
-
Katherine McLeod
Canadian literature, Canadian poetry, sound studies
-
Ursula (Ulla) Neuerburg-Denzer
acting, physical theatre, affect studies
-
Maurice Charland
rhetoric and discourse, argumentation, political theory
-
Donato Totaro
moving image studies, temporality, horror genre
-
Kate Bligh
playwriting, Shakespeare, Jerzy Grotowski
-
Roy Cross
craft of fiction, screenwriting, cinema
-
Amy Keith
drama/performance, design for the theatre, set design
-
Barbara Lorenzkowski
North American history, history of children and youth, war and memory
-
Michael Yaroshevsky
cinematography, photography, perception
-
Chih-Chien Wang
everydayness, perception, presence
-
Stéphane Martelly
research-creation, creative writing, visual arts
-
Emanuel Lowi
Inuit, Indigenous studies, contemporary Indigenous politics
-
Nadia Myre
contemporary art, Indigenous cultural production, research-creation
-
Kate de Medeiros
aging (ageing), health and wellness, arts in health
-
Aaron McIntosh
identity politics, quilting, gay sexuality
-
Juan Ortiz-Apuy
sculpture, installation, material culture
-
Keelan Harkin
Irish literature, citizenship, art of the novel
-
Gillian Sze
creative writing, poetry, Canadian literature
-
Jessica Carmichael
theatre directing, dramaturgy, acting
-
Anna Sheftel
oral history, historical memory, trauma and resilience
-
Anita Sinner
artwork scholarship, a/r/tography, research methods in art education
-
Ariela Freedman
literary modernism, James Joyce, graphic novels
-
Danielle Bobker
British literature, 18th century, Restoration
-
Christopher Moore
humour and parody, playfulness, social transformation
-
Marisa Portolese
portraiture, women's studies, storytelling
-
Louis Patrick Leroux
experimental theatre, contemporary circus, drama/performance
-
Mitch Mitchell
identities, storytelling, trauma and resilience
-
Evergon
self-portrait, photography, gay sexuality
-
Guylaine Dionne
cinema, screenwriting, multimedia
-
Elizabeth (Liz) Miller
documentary making, video advocacy, social justice
-
Ronald Rudin
public history, French Canada, oral history
-
Louise Lamarre
Holo Editorial Layering Process, l'Atlas Cinematographique, moving image technologies
-
Deanna Bowen
contemporary art, Black Canadian history, institutional critique
-
Edward (Ted) Little
theatre for social change, dramatic theory, verbatim theatre