How does cinematic convention reflect and influence the ways we understand time and memory?
Richard Hancox
- Professor Emeritus
- Department of Communication Studies
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Marielle Nitoslawska
avant-garde cinemas, politics of perception, sensate representation
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Raymonde April
autofiction, afterlife, storytelling
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Tim Schwab
documentary making, new media studies, first person media production
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Matt Soar
research-creation, cities, material culture
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Peter van Wyck
semiotics of environment, nature/culture, place
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Michael Kenneally
Irish studies, Irish-Canadian literature, cultural identity
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Jessica Auer
photography, cultural history, landscape
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Donato Totaro
moving image studies, temporality, horror genre
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Brian Lewis
technological change, social impacts of technology, research networks
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Mary di Michele
"langscape", memory, creative writing
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Chih-Chien Wang
everydayness, perception, presence
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Masha Salazkina
transnationalism, criticism, Marxist theory
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Velibor Božović
photography, other lives of the photograph, memory
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Catherine Russell
cinephilia, experimental cinema, Japanese cinema
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Cynthia Hammond
history of architecture, built environment, urban futures
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Mary Ellen Davis
film/media production, social justice education, documentary making
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Matthew Unger
law and society, contemporary accusatory practices, aesthetics
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Jean-Claude Bustros
generative storytelling, responsive environments, urban embedded cinema
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Ronald Rudin
public history, French Canada, oral history
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Marisa Portolese
portraiture, women, storytelling
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Sandra Gabriele
newspapers, history of media arts, print culture
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Luca Caminati
cinema, postcolonial literature and theory, orientalism
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Alison Reiko Loader
history of media arts, feminist media studies, media arts
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Eric Simon
noosphere, intervals, memory
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Elizabeth L. Miller
documentary making, video advocacy, social justice
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Kathleen Vaughan
socially committed art practice, public pedagogies, place
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David Howes
sensory studies, law and society, human body
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Louise Lamarre
Holo Editorial Layering Process, l'Atlas Cinematographique, moving image technologies
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Zeynep Arsel
material culture, representation, consumption
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Daniel Cross
documentary making, democratic values, cultural and social change
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Cheryl Simon
contemporary art, globalism, media arts
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Shira Avni
animation, animated documentary, disability rights
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Erika Adams
print media, textuality, collective creations
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David Douglas
history of the moving image, Cuban cinema, avant-garde cinemas
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Clara Gutsche
photography, view camera, architectural interiors
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Joshua Neves
emergent media, cultural theory, globalization
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Haidee Wasson
screen culture, history of the moving image, museology
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Nicola Pezolet
modernism, architecture, built environment
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Guylaine Dionne
women and film/media, archive, cinema
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Gearóid Ó hAllmhuráin
Irish tradition, Irish music, Irish folk culture
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Roy Cross
craft of fiction, scriptwriting, cinema
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Amanda Dawn Christie
transmission arts, radio, intermedia
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Matthew Anderson
cultural studies, New Testament, pilgrimage
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Sandra Chang-Kredl
teacher identity, popular culture, memory
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Barry Lazar
documentary making, creative nonfiction, media convergence
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Miao Song
performing arts, interactive projection mapping, cinema
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Steven High
20th century, Montreal's diverse neighbourhoods, public history
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Jill Didur
globalization, transnationalism, mobile media
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Kelly Jazvac
sculpture, installation, plastic waste
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Michael Yaroshevsky
cinematography, photography, perception
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Graham Carr
20th century, North American history, Canadian cultural history