Why were eighteenth‑century British writers so fascinated by private rooms, known as closets?
Danielle Bobker
- Professor
- Department of English
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Judith Herz
literature studies, poetry, narrative
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Marcie Frank
British literature, modernity, narrative
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Patrick McDonagh
history of intellectual disability, literature studies, cultural history
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Manish Sharma
Old English, medieval literature, Middle English
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Daniel O'Leary
Canadian studies, Canadian literature, history of the book
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Darragh Languay
Renaissance literature, Shakespeare, Milton
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Kevin Pask
Renaissance literature, making publics, popular culture
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Stephen Yeager
medieval literature, literature studies, poetry
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Nathan Brown
poetry, poetics, critical theory
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Stephen Powell
medieval literature, Chaucer, romance
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VK Preston
cultural history, performance studies, embodiment
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M. Catherine Bolton
The Heroides, Roman elegy, Ovid
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Louis Patrick Leroux
experimental theatre, contemporary circus, drama/performance
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Sherry Simon
cities, cultural translation, cosmopolitanism
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Stephanie Bolster
ekphrasis, the lyric, poetry
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Jeremy Stolow
religion and media, material religion, history of media technologies
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Jean-Michel Roessli
Christianity, church history, Sibylline Oracles
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Meredith Evans
Renaissance literature, Shakespeare, Milton
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Christopher Moore
humour and parody, playfulness, social transformation
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Ira Robinson
Judaism, Hassidic Judaism, Kabbalah
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Dario Brancato
Renaissance literature, digital humanities, Renaissance Florence
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Katherine McLeod
Canadian literature, Canadian poetry, sound studies
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Kit Brennan
playwriting, narrative, storytelling
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Sophie Marcotte
Gabrielle Roy, littérature québécoise, manuscripts
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Ursula (Ulla) Neuerburg-Denzer
acting, physical theatre, affect studies
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Roberto Viereck Salinas
colonialism, Latin American studies, contemporary poetry
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Robert Tittler
British history, early modernity, England
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Kate Sterns
creative writing, writing fiction, anatomical waxworks
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Nicola Nixon
American literature, detective fiction, American gothic
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Jesse Arseneault
African studies, animality, cultural studies
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Geneviève Sicotte
literature studies, food studies, gastronomy
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Sylvain David
contemporary French literature, art of the novel, 20th century French literature
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Benoit Léger
history of translation, Desfontaines and Voltaire, Madame de Rochmondet
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Bina Freiwald
autobiography, subjectivity, women's writing
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Chih-Chien Wang
everydayness, perception, presence
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Bradley L. Craig
Black Atlantic, Atlantic world, enslaved Africans
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Emer O'Toole
performance studies, Irish theatre, activist art
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Katharine Streip
posthumanism, Beat literature and culture, ecocriticism
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Cynthia Girard-Renard
visual arts, social justice, poetry
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Elizabeth (Liz) Howard
poetry, research-creation, Indigenous knowledges
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Stephen Ross
poetry, modernism, American literature
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Máirtín Coilféir
Irish language, Irish literature, modern Irish literature
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Annie Gérin
Soviet art, public art, satire
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Gillian Sze
creative writing, poetry, Canadian literature
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Kevin Yuen Kit Lo
graphic design, visual culture, activism
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David Jhave Johnston
digital poetry, poetry, media arts
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Jens Richard Giersdorf
critical dance studies, choreographies of politics, embodiment
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Anya Zilberstein
history of environmental science, Atlantic world, British Empire
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Eric Buzzetti
political philosophy, philosophy and literature, history of philosophy
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Omri Moses
literary modernism, vitalist psychology, selfhood
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Darren Wershler
history of media arts, new media studies, digital cultures
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Bradley J. Nelson
Hispanic literature and culture, social impacts of technology, history of science
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Evergon
self-portrait, photography, gay sexuality
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Cynthia Quarrie
British literature, contemporary literature, ethics
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Sina Queyras
ecopoetics, poetry, women's writing
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Shannon McSheffrey
medieval Europe, Tudor England, legal history
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Jason Camlot
poetry, Victorian era, sound studies
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Geoffrey Robert Little
scholarly communication, Concordia University Press, history of libraries
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Edward (Ted) Little
theatre for social change, dramatic theory, verbatim theatre
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Charles Acland
moving image studies, new media studies, film/media theory