How might an oral history performance event facilitate listening for social change?
Luis C. Sotelo Castro
- Associate Professor
- Department of Theatre
- oral history performance9
- listening/hearing11
- experimental theatre17
- research-creation38
- documentary theatre3
- walking12
- participatory processes6
- sound studies30
- activism25
- war and memory13
- oral history20
- theatre for social change10
- relational art7
- storytelling44
- representation42
- drama/performance29
- violence15
- social justice96
- performance studies24
- Latin American studies17
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Edward (Ted) Little
theatre for social change, dramatic theory, verbatim theatre
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Steven High
oral history, public history, working class studies
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Rachael Van Fossen
theatre for social change, socially committed art practice, experimental theatre
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Koby Rogers Hall
activism, social practice, research-creation
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Jessica Carmichael
theatre directing, dramaturgy, acting
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Elizabeth (Liz) Miller
documentary making, video advocacy, social justice
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Sandeep Bhagwati
music making, research-creation, transdisciplinarity
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Erin Manning
movement, relational art, radical pedagogy
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Eldad Tsabary
sound-focused aural training, laptop orchestra, electroacoustic studies
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Anna Sheftel
oral history, historical memory, trauma and resilience
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Norman Nawrocki
creative resistance, community arts, community organizing
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Nadia Myre
contemporary art, Indigenous cultural production, research-creation
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Barbara Lorenzkowski
North American history, history of children and youth, war and memory
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Bonnie Harnden
drama therapy, trauma and resilience, attachment
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Kathleen Vaughan
socially committed art practice, public pedagogies, research-creation
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Lilia Mestre
dance dramaturgy, choreographic practice, choreographic composition
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Noah Drew
voice, acting, voice training
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Louis Patrick Leroux
experimental theatre, contemporary circus, drama/performance
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Florian Grond
interaction design, immersive audio, assistive technology design
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Sandi Curtis
music therapy, feminist methodology, palliative care
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Ronald Rudin
public history, French Canada, oral history
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Amy Keith
drama/performance, design for the theatre, set design
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Matt Soar
research-creation, cities, material culture
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Emer O'Toole
performance studies, Irish theatre, activist art
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Deanna Bowen
contemporary art, Black Canadian history, institutional critique
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Lisa Ndejuru
Black wellness, arts in health, trauma and resilience
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Ursula (Ulla) Neuerburg-Denzer
acting, physical theatre, affect studies
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Kit Brennan
playwriting, narrative, storytelling
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Katherine McLeod
Canadian literature, Canadian poetry, sound studies
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Gene Gibbons
performance creation, devised theatre, new dramaturgy
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Tim Schwab
documentary making, new media studies, first person media production
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Mark Sussman
experimental theatre, puppetry, performance studies
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Mitch Mitchell
identities, storytelling, trauma and resilience
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Yasmin Jiwani
violence against women, visible minorities, ethnocultural diversity
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Daniel Cross
documentary making, democratic values, cultural and social change
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Kimberley Manning
Chinese politics, Great Leap Forward, famine
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Peter Gossage
Quebec studies, family and gender, historical demography
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Liselyn Adams
music making, contemporary music, baroque music
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Owen Chapman
sound studies, locative media, electroacoustic studies
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Yehudit Silverman
arts-based learning, masks, drama therapy
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Marielle Nitoslawska
avant-garde cinemas, politics of perception, sensate representation
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Stephen Snow
drama therapy, ethnography, trauma and resilience
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Beverley Best
capitalism, international political economy, globalization
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Cynthia Quarrie
British literature, contemporary literature, ethics
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Debbie Folaron
translation technologies, localization, translation studies
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Guylaine Vaillancourt
music therapy, arts-based learning, participatory action research
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Eric Mongerson
design for the theatre, set design, lighting design
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Laura Endacott
visual culture, contemporary art, relational art
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Leila Sujir
media arts, 3D digital imaging, virtual environments
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Robert Reid
acting, stage poetics, old/new
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Mark Corwin
electroacoustic studies, music composition, listening/hearing
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Marisa Portolese
portraiture, women's studies, storytelling
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Janis Timm-Bottos
community arts, art hives, inclusion/exclusion
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Ricardo Dal Farra
music composition, electroacoustic studies, research-creation
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Ariela Freedman
literary modernism, James Joyce, graphic novels
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Anita Sinner
artwork scholarship, a/r/tography, research methods in art education
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Julie Podmore
geographies of gender and sexuality, Montreal's diverse neighbourhoods, urban politics
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Mary Ellen Davis
film/media production, social justice education, documentary making
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Frances M. Shaver
sex industry, health and safety, gender and sexuality
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Alison Reiko Loader
history of media arts, feminist media studies, media arts
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Raymond Marius Boucher
scenography, performance design, design for the theatre
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Ted Rutland
cities, history of urban planning, biopolitics
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Cynthia Hammond
history of architecture, built environment, urban futures
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Alice Ming Wai Jim
contemporary Asian-Canadian art, history of media arts, global art histories
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Krista Geneviève Lynes
gender and sexuality, migration studies, media arts
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Roberto Viereck Salinas
colonialism, Latin American studies, contemporary poetry
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Patrick McDonagh
history of intellectual disability, literature studies, cultural history
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Max Bergholz
intercommunal violence, nationalism, historical memory
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Kate Bligh
playwriting, Shakespeare, Jerzy Grotowski
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Gada Mahrouse
critical race studies, mobility justice, feminist theory
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Gavin Foster
Irish history, Irish studies, cultural history
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Mia Consalvo
videogames, game studies and design, avatars in gaming
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Kathy Kennedy
sound studies, voice, music making
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pk langshaw
social design, research-creation, media arts
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Jean François Mayer
Latin American studies, comparative politics, social movements
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Michael Yaroshevsky
cinematography, photography, perception
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Kevin A. Gould
political ecology, critical geography, Guatemala
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Jessica Bleuer
drama therapy, trauma and resilience, racialized power relations
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Chih-Chien Wang
everydayness, perception, presence
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Natalie Kouri-Towe
gender and sexuality, international solidarity activism, solidarity across difference
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Stéphane Martelly
research-creation, creative writing, visual arts
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Arseli Dokumaci
critical disability studies, performance studies, micro-activist affordances
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Razan AlSalah
media arts, critical geography, Palestine
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Jaret Vadera
perception, cultural and social change, radical imaginaries
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Bradley L. Craig
Black Atlantic, Atlantic world, enslaved Africans
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Shauna Janssen
transdisciplinarity, new media dramaturgy, immersive storytelling
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Jared Wiercinski
digital libraries, open access, digital scholarship
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Bimadoshka (Annya) Pucan
wax cylinders, oral history, Indigenous studies
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Marie-Jolie (MJ) Rwigema
mental health, critical race studies, Black feminist futures
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Alisi Telengut
research-creation, under-camera animation, post-human critical theory
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Erik Chevrier
post-capitalism, community economies, social economy
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Chris Hurl
social movements, labour history, sociology of work
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Océane Jasor
gender and sexuality, gender politics, decolonization
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Baron T. Tymas
jazz, guitar, music composition
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VK Preston
cultural history, performance studies, embodiment
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Jens Richard Giersdorf
critical dance studies, choreographies of politics, embodiment
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Balbir K. Singh
visual cultural studies, critical ethnic studies, surveillance
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Jessica Auer
photography, cultural history, landscape
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Velibor Božović
photography, other lives of the photograph, historical memory
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Jessica Bardill
Indigenous literatures, Indigenous knowledges, storytelling
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Alessandra Renzi
media studies, cultural and social change, emergent media
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Floyd Favel
Indigenous performance theory, Indigenous theatre, performance studies
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Cynthia Bruce
music therapy, critical disability studies, inclusive teaching and learning