How did our world of new media come into being and how does it affect our lives?
Charles Acland
- Distinguished University Research Professor
- Professor
- Department of Communication Studies
- moving image studies15
- new media studies30
- film/media theory11
- communication theory3
- popular culture33
- cultural history54
- history of media arts20
- ideology4
- history of media technologies4
- entertainment
- screen culture6
- ephemera2
- networks27
- blockbusters
- cinema30
- cultural policy5
- movie theatres
- social status5
- taste formation4
- Harold Innis2
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Haidee Wasson
emergent media, moving image technologies, cultural institutions
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Kim Sawchuk
age studies, age-friendly cities, feminism
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Alice Ming Wai Jim
contemporary Asian-Canadian art, history of media arts, global art histories
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Bart Simon
technoculture, playfulness, videogames
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William J. Buxton
history of the social sciences, Harold Innis, philanthropy
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Catherine Russell
film/media theory, criticism, Japanese cinema
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Darren Wershler
history of media arts, new media studies, digital cultures
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Cheryl Simon
contemporary art, globalization, media arts
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Luca Caminati
cinema, postcolonial literature and theory, orientalism
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Masha Salazkina
transnationalism, Soviet film, Latin American cinemas
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Cáel Marcas Keegan
gender and sexuality, moving image studies, popular culture
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Donato Totaro
moving image studies, temporality, horror genre
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David Douglas
history of the moving image, Cuban cinema, avant-garde cinemas
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Jeremy Stolow
religion and media, material religion, history of media technologies
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Christine F. Smith
access to information, cultural studies, digital rights
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Brian Lewis
technological change, social impacts of technology, research networks
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Rosanna Maule
feminist theory, women and film/media, feminist media studies
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Johanne Sloan
contemporary art, Canadian art history, visual culture
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Patrick McDonagh
history of intellectual disability, literature studies, cultural history
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Geneviève Sicotte
literature studies, food studies, gastronomy
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Mia Consalvo
videogames, game studies and design, avatars in gaming
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Jean-Philippe Warren
Quebec studies, cultural history, intellectual history
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Sandra Gabriele
newspapers, history of media arts, print culture
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Nathan Brown
poetry, poetics, critical theory
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Michael Yaroshevsky
cinematography, photography, perception
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Katharine Streip
posthumanism, Beat literature and culture, ecocriticism
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Maya Rae Oppenheimer
cultural history, history of media arts, materiality
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René Lemieux
translation studies, translation theory, intercultural communication
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May Chew
immersion, interactivity, cultural studies
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Stefanie Duguay
networked publics, social media, gender and sexuality
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Peter C. van Wyck
semiotics of environment, nature/culture, place
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Sophie Marcotte
Gabrielle Roy, littérature québécoise, manuscripts
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Joshua Neves
global media, digital cultures, cultural theory
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Alison Reiko Loader
history of media arts, feminist media studies, media arts
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Fenwick McKelvey
algorithmic media, internet governance, digital politics
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Sandra Chang-Kredl
teacher identity, popular culture, memory
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Kevin Pask
Renaissance literature, making publics, popular culture
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Danielle Bobker
British literature, 18th century, Restoration
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Lorenzo DiTommaso
apocalypticism, cultural history, history of ideas
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Ricardo Dal Farra
music composition, electroacoustic studies, research-creation
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Tim Schwab
documentary making, new media studies, first person media production
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Zeynep Arsel
material culture, representation, consumption
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Françoise Naudillon
Francophonie, literary studies, francophone studies
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Jean-Claude Bustros
generative storytelling, responsive environments, urban embedded cinema
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Lynn Hughes
game studies and design, interdisciplinary soup, media arts
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Daniel Cross
documentary making, democratic values, cultural and social change
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Vivek Venkatesh
hate crimes, racialization, radicalization