How do images influence memory? What role do they play when the historical, the fictional and the personal interrelate?
Velibor Božović
- Part‑time Faculty Member
- Department of Studio Arts
- photography23
- other lives of the photograph
- historical memory10
- photography in literature2
- autobiographical memory4
- influence of images on memory
- storytelling38
- installation31
- afterlife2
- archive18
- craft of fiction13
- visual arts20
- artist books8
- Sarajevo
- The Balkans3
- war and memory12
- film/media production22
- microhistory4
- text/image interactions8
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Raymonde April
autofiction, afterlife, storytelling
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Mitch Mitchell
identity, storytelling, trauma and resilience
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Chih-Chien Wang
everydayness, perception, presence
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Cheryl Simon
contemporary art, globalism, media arts
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Max Bergholz
intercommunal violence, nationalism, historical memory
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Guylaine Dionne
women and film/media, archive, cinema
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Ronald Rudin
public history, French Canada, oral history
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Graham Carr
20th century, North American history, Canadian cultural history
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Terence Byrnes
photography, portraiture, posing
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Michael Yaroshevsky
cinematography, photography, perception
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Barbara Lorenzkowski
North American history, history of children and youth, war and memory
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Roy Cross
craft of fiction, screenwriting, cinema
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Cynthia Girard-Renard
visual arts, social justice, poetry
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Aaron McIntosh
identity politics, quilting, gay sexuality
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Kit Brennan
playwriting, narrative, storytelling
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Barry Lazar
documentary making, creative nonfiction, media convergence
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M. Wright
book design, graphic design, typographic design
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Louise Lamarre
Holo Editorial Layering Process, l'Atlas Cinematographique, moving image technologies
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Jessica Auer
photography, cultural history, landscape
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Nadia Myre
contemporary art, Indigenous cultural production, research-creation
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Jared Wiercinski
digital libraries, open access, digital scholarship
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Tomasz Neugebauer
digital libraries, open access, metadata
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John Latour
Canadian art history, visual arts, librarianship
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Mat Karas
ceramics, craft, clay
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Kelly Jazvac
sculpture, installation, plastic waste
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Amanda Dawn Christie
transmission arts, radio, intermedia
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Erika Adams
print media, textuality, collective creation
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Luis C. Sotelo Castro
oral history performance, listening/hearing, experimental theatre
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Natalie Nadeau
sculpture, installation, foundry processes
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Emanuel Lowi
Inuit, Indigenous studies, contemporary Indigenous politics
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Geneviève Sicotte
literature studies, food studies, gastronomy
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Kathleen Vaughan
socially committed art practice, public pedagogies, research-creation
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Gavin Foster
Irish history, Irish studies, cultural history
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Surabhi Ghosh
textile arts, installation, narrative
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Cilia Sawadogo
animation, cinema, film/media production
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Alison Reiko Loader
history of media arts, feminist media studies, media arts
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Mary Ellen Davis
film/media production, social justice education, documentary making
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Bernard Gamoy
visual arts, figurative art, visual fictions
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Ariela Freedman
literary modernism, James Joyce, graphic novels
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Christopher Moore
humour and parody, playfulness, social transformation
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Michael Kenneally
Irish studies, Irish-Canadian literature, cultural identity
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Josip Novakovich
writing fiction, creative nonfiction, short story
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Leila Sujir
media arts, 3D digital imaging, virtual environments
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Matthew Penney
Japanese history, postwar history, popular culture
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Richard Hancox
personal cinema, experimental cinema, autobiography
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Marielle Nitoslawska
avant-garde cinemas, politics of perception, sensate representation
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Jean-Claude Bustros
generative storytelling, responsive environments, urban embedded cinema
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Elizabeth L. Miller
documentary making, video advocacy, social justice
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Monika Kin Gagnon
Expo 67, ethnocultural diversity, memory
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Alice Jarry
materiality, urban futures, design for sustainability
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Tagny Duff
viral media, biomedia, vitalities