What makes performed emotion infectious?
Ursula (Ulla) Neuerburg-Denzer
- Associate Professor and Chair
- Department of Theatre
- acting7
- physical theatre
- affect16
- performance studies21
- drama/performance29
- emotion in performance
- rasaboxes
- history of theatre
- gesture5
- voice9
- breath3
- Indian classical tradition
- India7
- Indigenous studies53
- urban futures45
- human rights33
- theatre directing5
- war and memory12
- trauma and resilience25
- puppetry4
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Louis Patrick Leroux
experimental theatre, contemporary circus, drama/performance
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Jessica Carmichael
theatre directing, dramaturgy, acting
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Mark Sussman
experimental theatre, puppetry, performance studies
-
Yehudit Silverman
arts-based learning, masks, drama therapy
-
Sandeep Bhagwati
music making, research-creation, transdisciplinarity
-
Floyd Favel
Indigenous performance theory, Indigenous theatre, performance studies
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Luis C. Sotelo Castro
oral history performance, listening/hearing, experimental theatre
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Rachael Van Fossen
theatre for social change, socially committed art practice, experimental theatre
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Vicky Boldo
Indigenous studies, student success, cultural identity
-
Kate Bligh
playwriting, Shakespeare, Jerzy Grotowski
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Max Bergholz
intercommunal violence, nationalism, historical memory
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Noah Drew
voice, acting, voice training
-
Angélique Willkie
dance dramaturgy, contemporary circus, Josephine Baker
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Robert Reid
acting, stage poetics, old/new
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Tim Schwab
documentary making, new media studies, first person media production
-
Stephen Snow
drama therapy, ethnography, trauma and resilience
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Natasha Blanchet-Cohen
youth in society, child and youth ecocitizenship, rights of the child
-
Jill Didur
globalization, transnationalism, mobile media
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Ariela Freedman
literary modernism, James Joyce, graphic novels
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Mary Ellen Davis
film/media production, social justice education, documentary making
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Philip Szporer
perception, embodiment, movement
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Gene Gibbons
performance creation, devised theatre, new dramaturgy
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Raymond Marius Boucher
scenography, performance design, design for the theatre
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VK Preston
cultural history, performance studies, embodiment
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Katherine McLeod
Canadian literature, Canadian poetry, sound studies
-
Kit Brennan
playwriting, narrative, storytelling
-
Edward (Ted) Little
theatre for social change, dramatic theory, verbatim theatre
-
Lorna Roth
skin color, multiracialism, ethnocultural diversity
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Peter van Wyck
semiotics of environment, nature/culture, place
-
Maurice Charland
rhetoric and discourse, argumentation, political theory
-
Warren Linds
psychosocial risk, theatre for social change, performative inquiry
-
Genevieve Renard Painter
Indigenous-Settler relations, law and society, social justice
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Marie-Pier Joly
mental health, migration studies, health and wellness
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Catherine (Cathy) Richardson
Indigenous wellbeing, response-based practice, Indigenous studies
-
Elizabeth Fast
Indigenous youth, youth in society, urban Indigenous studies
-
Frank Chalk
genocide studies, Holocaust history, nationalism
-
Bina Freiwald
autobiography, subjectivity, women's writing
-
Amy Keith
drama/performance, design for the theatre, set design
-
Nicola Oddy
music therapy, voice, music making
-
Arseli Dokumaci
critical disability studies, performance studies, micro-activist affordances
-
Jing Hu
prosocial behaviors, sympathy/empathy, Chinese philosophy
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Emanuel Lowi
Inuit, Indigenous studies, contemporary Indigenous politics
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Shauna Janssen
performative urbanism, spatial dramaturgy, public spaces
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Matthew Penney
Japanese history, postwar history, popular culture
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Ioana Radu
Indigenous studies, Indigenous knowledges, Indigenous-Settler relations
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Michael Montanaro
transformation, transmutation, proposition/purpose
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Mitch Mitchell
identity, storytelling, trauma and resilience
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Aditya Dewan
Indigenous studies, South Asia, human rights
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Heather Igloliorte
cultural continuity, decolonization, exhibition
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Eric H. Reiter
legal history, Quebec studies, law and society
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Cynthia Quarrie
British literature, contemporary literature, ethics
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François Saillant
housing policy, cultural and social change, socioeconomic marginalization
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Liselyn Adams
music making, contemporary music, baroque music
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Danielle Bobker
British literature, 18th century, Restoration