When will digital storytellers break free of television‑based models?
Roy Cross
- Professor
- Mel Hoppenheim School of Cinema
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Guylaine Dionne
women and film/media, archive, cinema
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Louise Lamarre
Holo Editorial Layering Process, l'Atlas Cinematographique, film technologies
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Marielle Nitoslawska
avant-garde cinemas, politics of perception, sensate representation
-
Cilia Sawadogo
animation, cinema, film/media production
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Barry Lazar
documentary making, creative nonfiction, media convergence
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Daniel Cross
documentary making, democratic values, cultural and social change
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Luigi Allemano
animation, drawing, music making
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Shira Avni
animation, animated documentary, disability rights
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Mary Ellen Davis
film/media production, social justice education, documentary making
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Elizabeth L. Miller
human rights, documentary making, social justice
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Velibor Božović
photography, other lives of the photograph, memory
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Jean-Claude Bustros
generative storytelling, responsive environments, urban embedded cinema
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Raymonde April
autofiction, afterlife, storytelling
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Ronald Rudin
public history, French Canada, oral history
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Kit Brennan
playwriting, narrative, storytelling
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Matt Soar
experimental cinema, residual media, new media
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Yehudit Silverman
arts-based learning, masks, drama therapy
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Christine York
audiovisual translation, translation studies, subtitling
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Richard Hancox
personal cinema, experimental cinema, autobiography
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Noah Drew
voice, acting, voice training
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Brian Lewis
technological change, social impacts of technology, research networks
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Bernard Gamoy
visual arts, cultural worker, fictive portrait
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Luc Otter
animation director, computer animation, traditional animation
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Jessica Auer
photography, cultural history, landscape
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Tim Schwab
documentary making, new media, first person media production
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Donato Totaro
moving image studies, temporality, horror genre
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Terence Byrnes
photography, portraiture, posing
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Marisa Portolese
portraiture, women, storytelling
