How are the role and image of women changing in cinema in the age of digital technology and global media?
Rosanna Maule
- Professor
- Mel Hoppenheim School of Cinema
- ResearchGate
- Remapping world cinema: Identity, culture and politics in film
- Beyond auteurism: New directions in authorial film practices
- In the dark room: Marguerite Duras and cinema
- Women and Film History International
- le GRAFICS research group
- Arthemis Cinema research group
- Senses of Cinema online journal
- Another cinephilia: Women's cinema in the 1920s
- Postmodernism in the cinema
- feminist theory8
- women and film/media5
- feminist media studies8
- globalization and women's cinema
- contemporary auteur cinema
- moving image studies14
- film/media theory10
- theories of national cinemas
- critical theory31
- screen culture6
- women's film and video organizations
- alternative media practices
- history of the moving image5
- feminist and queer media activism
- women and cinephila
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Haidee Wasson
emergent media, moving image technologies, cultural institutions
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Charles Acland
moving image studies, new media studies, film/media theory
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Krista Geneviève Lynes
gender and sexuality, migration studies, media arts
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Catherine Russell
film/media theory, criticism, Japanese cinema
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Masha Salazkina
transnationalism, Soviet film, Latin American cinemas
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Cheryl Simon
contemporary art, globalism, media arts
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David Douglas
history of the moving image, Cuban cinema, avant-garde cinemas
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Donato Totaro
moving image studies, temporality, horror genre
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Joshua Neves
global media, digital cultures, cultural theory
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Marc Steinberg
platform studies, Asian media industries, Japanese animation/anime
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Thomas Waugh
documentaries, film/media theory, queer studies
