How are the role and image of women changing in cinema in the age of digital technology and global media?
Rosanna Maule
- Associate Professor
- Mel Hoppenheim School of Cinema
- Rosanna Maule on ResearchGate
- Remapping world cinema: Identity, culture and politics in film
- Beyond auteurism: New directions in authorial film practices
- In the dark room: Marguerite Duras and cinema
- Women and Film History International
- le GRAFICS research group
- Arthemis Cinema research group
- Senses of Cinema online journal
- Another cinephilia: Women's cinema in the 1920s
- Postmodernism in the cinema
- women and film/media5
- feminist media studies8
- creative economy6
- women's cinephilia
- feminist theory7
- contemporary auteur cinema
- moving image studies13
- postmodernism4
- globalization and women's cinema
- silent films2
- film/media theory9
- theories of national cinemas
- critical theory28
- screen culture6
- history of the moving image5
- French cinema
- Italian cinema2
- Spanish cinema
- literary theory7
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Guylaine Dionne
women and film/media, archive, cinema
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Haidee Wasson
screen culture, history of the moving image, museology
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Cheryl Simon
contemporary art, globalism, media arts
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Masha Salazkina
transnationalism, criticism, Marxist theory
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Charles Acland
moving image studies, new media, film/media theory
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Stephen Ross
poetry, modernism, American literature
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Catherine Russell
cinephilia, experimental cinema, Japanese cinema
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Marc Steinberg
media industries, animation, digital platforms
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Krista Geneviève Lynes
gender and sexuality, media arts, globalization
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Luca Caminati
cinema, postcolonial literature and theory, orientalism
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Andre Furlani
modernism, postmodernism, philosophy and literature
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David Douglas
history of the moving image, Cuban cinema, avant-garde cinemas
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Donato Totaro
moving image studies, temporality, horror genre
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Joshua Neves
emergent media, cultural theory, globalization
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Thomas Waugh
documentaries, film/media theory, queer studies
