What kinds of stories do people tell about the past, and why?
Ronald Rudin
- Professor
- Department of History
- Fellow
- Trudeau Foundation
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Steven High
20th century, Montreal's diverse neighbourhoods, public history
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Elena Razlogova
20th century, American history, history of media arts
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Gavin Foster
Irish history, Irish studies, cultural history
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Michael Kenneally
Irish studies, Irish-Canadian literature, cultural identity
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Jane G. V. McGaughey
Irish Diaspora, masculinities, violence
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Gearóid Ó hAllmhuráin
Irish tradition, Irish music, Irish folk culture
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Barbara Lorenzkowski
North American history, war and memory, children's geographies
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Barry Lazar
documentary making, creative nonfiction, media convergence
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Max Bergholz
violence, nationalism, memory
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Graham Carr
20th century, North American history, Canadian cultural history
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Velibor Božović
photography, other lives of the photograph, memory
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Jessica Auer
photography, cultural history, landscape
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Jean-Philippe Warren
Quebec studies, cultural history, intellectual history
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Cynthia Quarrie
British literature, contemporary literature, ethics
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Rhona Richman Kenneally
food studies, built environment, material culture
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Chih-Chien Wang
everydayness, perception, presence
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Michael Yaroshevsky
cinematography, photography, perception
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Marielle Nitoslawska
avant-garde cinemas, politics of perception, sensate representation
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Elena Benelli
migrant literature, immigration to Italy, Italian history and culture
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Patricia Anne Thornton
historical demography, 19th century, Quebec studies
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Matt Soar
research-creation, cities, material culture
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Yehudit Silverman
arts-based learning, masks, drama therapy
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Mebs Kanji
values, Canadian and Quebec politics, democratic governance
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Tim Clark
creativity, aesthetics, art theory
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Naftali Cohn
ancient Jewish texts, Mishnah, ritual
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Rosemarie Schade
German history and culture, Weimar Republic, bourgeois feminist movement
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Manya Saadi-nejad
Iranian studies, Persian language and culture, Zoroastrianism
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Alison Reiko Loader
history of media arts, feminist media studies, media arts
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Elizabeth L. Miller
human rights, documentary making, social justice
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Karine Awashish
Indigenous futures, collective entrepreneurship, cultural continuity
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Louise Lamarre
Holo Editorial Layering Process, l'Atlas Cinematographique, moving image technologies
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Patrick McDonagh
history of intellectual disability, literature, cultural history
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Nadia Myre
contemporary art, Indigenous cultural production, research-creation
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Loren Lerner
print culture, digital culture, curatorial practices
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Matthew Penney
Japan, memory, historiography
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Mark Russell
cultural history, visual arts, cultural identity
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Marisa Portolese
portraiture, women, storytelling
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Lorraine O'Donnell
Anglophone Quebecers, minority communities, language policy
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Lorrie Blair
research methods in art education, teacher identity, teacher training
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Josip Novakovich
writing fiction, creative nonfiction, short story
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Kit Brennan
playwriting, narrative, storytelling
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Ioana Radu
Indigenous Peoples, Indigenous knowledges, Indigenous-Settler relations
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Chedly Belkhodja
immigration, immigration policy, inclusion/exclusion
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Nicola Pezolet
modernism, architecture, built environment
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Nora Jaffary
Mexico, gender history, cultural history
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Guylaine Dionne
women and film/media, archive, cinema
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Tim Schwab
documentary making, new media studies, first person media production
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Roy Cross
craft of fiction, scriptwriting, cinema
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Wilson Jacob
Middle East, cultural history, gender and sexuality
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Jose Abraham
Islam, South Asia, Christian-Muslim dialogue
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Brian Lewis
technological change, social impacts of technology, research networks
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Monika Kin Gagnon
Expo 67, ethnocultural diversity, memory
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Stéphane Martelly
research-creation, creative writing, visual arts
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Richard Hancox
personal cinema, experimental cinema, autobiography
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Luis C. Sotelo Castro
oral history performance, listening/hearing, experimental theatre