How can still photographs capture the fluid passage of time?
Raymonde April
- Professor Emeritus
- Department of Studio Arts
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Jessica Auer
photography, cultural history, landscape
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Velibor Božović
photography, other lives of the photograph, historical memory
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Marisa Portolese
portraiture, women's studies, storytelling
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Richard Hancox
personal cinema, experimental cinema, autobiography
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Clara Gutsche
photography, view camera, architectural interiors
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Chih-Chien Wang
everydayness, perception, presence
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Terence Byrnes
photography, portraiture, posing
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Mary di Michele
'langscape', memory, creative writing
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Kit Brennan
playwriting, narrative, storytelling
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Hannah Claus
contemporary art, Kanien'kehá:ka, installation
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Surabhi Ghosh
textile arts, installation, narrative
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Erika Adams
print media, textuality, collective creation
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Deanna Bowen
contemporary art, Black Canadian history, institutional critique
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Sina Queyras
ecopoetics, poetry, women's writing
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Roy Cross
craft of fiction, screenwriting, cinema
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Marielle Nitoslawska
avant-garde cinemas, politics of perception, sensate representation
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Eric Simon
noosphere, intervals, memory
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Mitch Mitchell
identity, storytelling, trauma and resilience
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Aaron McIntosh
identity politics, quilting, gay sexuality
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Guylaine Dionne
women and film/media, archives in contemporary art, cinema
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Razan AlSalah
media arts, critical geography, Palestine
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Linda Swanson
ceramics, materiality, temporality
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Nadia Myre
contemporary art, Indigenous cultural production, research-creation
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Juan Ortiz-Apuy
sculpture, installation, material culture
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Kelly Jazvac
sculpture, installation, plastic waste
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Marianna Marta Milhorat
film/media production, experimental cinema, cinema
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Emanuel Lowi
Inuit, Indigenous studies, contemporary Indigenous politics
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Michael Yaroshevsky
cinematography, photography, perception
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Judith Herz
literature studies, poetry, narrative
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Kathleen Vaughan
socially committed art practice, public pedagogies, research-creation
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Barry Lazar
documentary making, creative nonfiction, media convergence
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Donato Totaro
moving image studies, temporality, horror genre
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Joseph Siddiqi
painting, drawing, mindfulness
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Cilia Sawadogo
animation, cinema, film/media production
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Sandra Chang-Kredl
teacher identity, popular culture, memory
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Mary Ellen Davis
film/media production, social justice education, documentary making
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Cheryl Simon
contemporary art, globalism, media arts
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Christopher Moore
humour and parody, playfulness, social transformation
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Michael Kenneally
Irish studies, Irish-Canadian literature, cultural identity
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Janis Timm-Bottos
community arts, art hives, inclusion/exclusion
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Tim Schwab
documentary making, new media studies, first person media production
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Louis Patrick Leroux
experimental theatre, contemporary circus, drama/performance
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Lorraine Oades
material culture, performance art, DIY
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Evergon
self-portrait, photography, gay sexuality
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Shira Avni
animation, animated documentary, disability rights
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Jean-Claude Bustros
generative storytelling, responsive environments, urban embedded cinema
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Elizabeth (Liz) Miller
documentary making, video advocacy, social justice
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Louise Lamarre
Holo Editorial Layering Process, l'Atlas Cinematographique, moving image technologies