How can we cultivate heightened states of attention and presence in performers and audiences?
Noah Drew
- Associate Professor
- Department of Theatre
-
Sandeep Bhagwati
music making, research-creation, transdisciplinarity
-
Mark Corwin
electroacoustic studies, music composition, listening/hearing
-
Kathy Kennedy
sound, voice, music making
-
Kate Bligh
playwriting, Shakespeare, Jerzy Grotowski
-
Liselyn Adams
performing arts, music making, contemporary music
-
Eldad Tsabary
ear training, electroacoustic studies, laptop orchestra
-
Louis Patrick Leroux
experimental theatre, contemporary circus, drama/performance
-
Kit Brennan
playwriting, narrative, storytelling
-
Robert Reid
acting, stage poetics, old/new
-
Angélique Willkie
dance dramaturgy, contemporary circus, Josephine Baker
-
Luigi Allemano
animation, drawing, music making
-
Audrey-Anne Bouchard
design for the theatre, lighting design, drama/performance
-
Ursula Neuerburg-Denzer
acting, physical theatre, affect
-
Owen Chapman
sound, locative media, electroacoustic studies
-
Ricardo Dal Farra
music composition, electroacoustic studies, research-creation
-
Luis C. Sotelo Castro
oral history performance, listening/hearing, experimental theatre
-
Louise Samson
music making, piano, performing arts
-
Rosemary Mountain
aesthetics, music composition, musical analysis
-
Joshua Rager
jazz, improvisation, piano
-
Eric Mongerson
design for the theatre, set design, lighting design
-
Sina Queyras
writing poetry, avant-garde writing, ecopoetics
-
Maurice Charland
rhetoric and discourse, argumentation, political theory
-
Ana Cappelluto
scenography, audience, devised theatre
-
Rachael Van Fossen
theatre for social change, socially committed art practice, experimental theatre
-
Craig Morrison
ethnomusicology, popular culture, cultural history
-
Raymond Marius Boucher
scenography, production design, design for the theatre
-
Amy Keith
drama/performance, design for the theatre, set design
-
Nicola Oddy
music therapy, voice, music making
-
Andra McCartney
sound art, listening/hearing, soundwalks
-
Edward (Ted) Little
theatre for social change, dramatic theory, verbatim theatre
-
Laurel Young
music therapy, gerontology, community arts
-
Dirk Gindt
history of theatre, HIV/AIDS, gender and sexuality
-
Kate Sterns
creative writing, writing fiction, anatomical waxworks
-
Yehudit Silverman
arts-based learning, masks, drama therapy
-
Stephen Snow
drama therapy, ethnography, trauma
-
Mitch Mitchell
identity, storytelling, trauma
-
Mark Sussman
experimental theatre, puppetry, performance studies
-
Roy Cross
craft of fiction, scriptwriting, cinema
-
Lynn Hughes
game studies and design, interdisciplinary soup, media arts
-
Katherine McLeod
Canadian literature, Canadian poetry, sound
-
Guylaine Vaillancourt
arts-based learning, music therapy, participatory action research
