How can we cultivate heightened states of attention and presence in performers and audiences?
Noah Drew
- Associate Professor
- Department of Theatre
- voice9
- acting6
- voice training2
- drama/performance27
- storytelling38
- transdisciplinarity29
- listening/hearing10
- sound studies31
- sound design6
- music composition9
- music making22
- playwriting6
- creative writing15
- devised theatre4
- dramaturgy9
- video in theatre3
- collective creations12
- performing arts23
- ritual11
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Mark Corwin
electroacoustic studies, music composition, listening/hearing
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Kathy Kennedy
sound studies, voice, music making
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Sandeep Bhagwati
music making, research-creation, transdisciplinarity
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Jessica Carmichael
theatre directing, dramaturgy, acting
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Kate Bligh
playwriting, Shakespeare, Jerzy Grotowski
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Liselyn Adams
performing arts, music making, contemporary music
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Kit Brennan
playwriting, narrative, storytelling
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Angélique Willkie
dance dramaturgy, contemporary circus, Josephine Baker
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Luigi Allemano
animation, drawing, music making
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Robert Reid
acting, stage poetics, old/new
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Louis Patrick Leroux
experimental theatre, contemporary circus, drama/performance
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Ursula (Ulla) Neuerburg-Denzer
acting, physical theatre, affect
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Louise Samson
music making, piano, performing arts
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Rosemary Mountain
aesthetics, music composition, musical analysis
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Joshua Rager
jazz, improvisation, piano
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Eldad Tsabary
sound-focused aural training, laptop orchestra, electroacoustic studies
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Luis C. Sotelo Castro
oral history performance, listening/hearing, experimental theatre
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Ricardo Dal Farra
music composition, electroacoustic studies, research-creation
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Audrey-Anne Bouchard
design for the theatre, lighting design, drama/performance
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Eric Mongerson
design for the theatre, set design, lighting design
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Owen Chapman
sound studies, locative media, electroacoustic studies
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Sina Queyras
ecopoetics, poetry, women's writing
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Raymond Marius Boucher
scenography, performance design, design for the theatre
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Maurice Charland
rhetoric and discourse, argumentation, political theory
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Craig Morrison
ethnomusicology, popular culture, cultural history
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Andra McCartney
sound art, listening/hearing, soundwalks
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Ana Cappelluto
scenography, audience, devised theatre
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Amy Keith
drama/performance, design for the theatre, set design
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Nicola Oddy
music therapy, voice, music making
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Rachael Van Fossen
theatre for social change, socially committed art practice, experimental theatre
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Stephen Snow
drama therapy, ethnography, trauma and resilience
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Guylaine Vaillancourt
music therapy, arts-based learning, participatory action research
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Mitch Mitchell
identity, storytelling, trauma and resilience
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Jared Wiercinski
digital libraries, open access, digital scholarship
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Chih-Chien Wang
everydayness, perception, presence
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Barbara Lorenzkowski
North American history, history of children and youth, war and memory
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Lynn Hughes
game studies and design, interdisciplinary soup, media arts
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Roy Cross
craft of fiction, scriptwriting, cinema
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Kate Sterns
creative writing, writing fiction, anatomical waxworks
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Yehudit Silverman
arts-based learning, masks, drama therapy
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Floyd Favel
Indigenous performance theory, Indigenous theatre, performance studies
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Katherine McLeod
Canadian literature, Canadian poetry, sound studies
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Edward (Ted) Little
theatre for social change, dramatic theory, verbatim theatre
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Mark Sussman
experimental theatre, puppetry, performance studies
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Amanda Dawn Christie
transmission arts, radio, intermedia
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Laurel Young
music therapy, gerontology, community arts