How do different modes of literary transfer participate in the construction of "world literary classics"?
Natalia Teplova
- Professeure agrégée
- Département d'études françaises
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Benoit Léger
history of translation, Desfontaines and Voltaire, Madame de Rochmondet
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Geneviève Sicotte
literature studies, food studies, gastronomy
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Sherry Simon
cities, cultural translation, cosmopolitanism
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Nicola Nixon
American literature, detective fiction, American gothic
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Pier-Pascale Boulanger
economic/financial translation, financial news, translating terminology
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Mary Esteve
American literature, post-WWII, literary realism
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Roberto Viereck Salinas
colonialism, Latin American studies, contemporary poetry
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Sylvain David
contemporary French literature, art of the novel, 20th century French literature
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Christine York
audiovisual translation, translation studies, subtitling
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Theresa Ventura
USA history, empire, colonialism
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Stephen Ross
poetry, modernism, American literature
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Annie Gérin
Soviet art, public art, satire
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Patrick McDonagh
history of intellectual disability, literature studies, cultural history
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Kate Sterns
creative writing, writing fiction, anatomical waxworks
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Janice Anderson
Canadian art history, feminism, women artists
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Daniel O'Leary
Canadian studies, Canadian literature, history of the book
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Danièle Marcoux
Spanish to French, literary translation, Hispanic literature and culture
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Debbie Folaron
translation technologies, localization, translation studies
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Mark Russell
cultural history, visual arts, cultural identity
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Elena Razlogova
USA history, Cold War, Soviet history
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Peter Gossage
Quebec studies, family and gender, historical demography