How does aesthetic sensibility inflect political argument?
Maurice Charland
- Professor Emeritus
- Department of Communication Studies
- rhetoric and discourse12
- argumentation3
- political theory9
- "constitutive rhetoric"
- "technological nationalism"
- Canadian and Quebec politics8
- Canadian cultural history9
- constitutionalism3
- law and society20
- politics8
- judgment
- ethics15
- drama/performance27
- jazz3
- jazz culture3
- voice9
- music making22
- South Africa4
- Jean-François Lyotard
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Noah Drew
voice, acting, voice training
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Angélique Willkie
dance dramaturgy, contemporary circus, Josephine Baker
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Joshua Rager
jazz, improvisation, piano
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Graham Dodds
American government, USA politics, comparative politics
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Kathy Kennedy
sound, voice, music making
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Kit Brennan
playwriting, narrative, storytelling
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Louis Patrick Leroux
experimental theatre, contemporary circus, drama/performance
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Eric Buzzetti
political philosophy, philosophy and literature, history of philosophy
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Meredith Evans
Renaissance literature, Shakespeare, Milton
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Amy Swiffen
social and political theory, law and society, social deviance/conformity
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Katharina Nieswandt
ethics, virtue ethics, G. E. M. Anscombe
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Nicola Oddy
music therapy, voice, music making
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Ursula Neuerburg-Denzer
acting, physical theatre, affect
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Marlene Sokolon
political theory, ancient political thought, Aristotle
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Laurel Young
music therapy, gerontology, community arts
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José Antonio Giménez Micó
Latin America, cultural studies, literary studies
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Craig Morrison
ethnomusicology, popular culture, cultural history
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Guylaine Vaillancourt
arts-based learning, music therapy, participatory action research
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Sandeep Bhagwati
music making, research-creation, transdisciplinarity
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James Kelly
constitutions, Canadian and Quebec politics, democratic governance
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Graham Carr
20th century, North American history, Canadian cultural history