How do ideas about cinema travel across time and space?
Masha Salazkina
- Concordia University Research Chair in Transnational Media Art and Culture
- Associate Professor
- Mel Hoppenheim School of Cinema
- Graduate Program Director:
- PhD in Film and Moving Image Studies
- transnationalism23
- criticism6
- Marxist theory9
- history of the moving image5
- cinema27
- civil society9
- digital culture10
- subalternity5
- Latin America19
- Soviet film
- film/media theory10
- sound28
- "Third Cinemas"
- aesthetics28
- music videos3
- discursive constructions4
- moving image studies14
- history of media arts21
- cultural studies32
- history of film education
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Catherine Russell
cinephilia, experimental cinema, Japanese cinema
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Haidee Wasson
screen culture, history of the moving image, museology
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Donato Totaro
moving image studies, temporality, horror genre
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David Douglas
history of the moving image, Cuban cinema, avant-garde cinemas
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Luca Caminati
cinema, postcolonial literature and theory, orientalism
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José Antonio Giménez Micó
Latin America, cultural studies, literary studies
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Charles Acland
moving image studies, new media studies, film/media theory
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Roberto Viereck Salinas
colonialism, Latin America, contemporary poetry
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Jason Camlot
poetry, Victorian, sound studies
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Rosanna Maule
women and film/media, feminist media studies, creative economy
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Matthew Unger
law and society, contemporary accusatory practices, aesthetics
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Beenash Jafri
racialization, decolonization, gender and sexuality
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Luc Otter
animation director, computer animation, traditional animation
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Joshua Neves
emergent media, cultural theory, globalization
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Cheryl Simon
contemporary art, globalism, media arts
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Thomas Waugh
documentaries, film/media theory, queer studies
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Darren Wershler
history of media arts, new media studies, digital culture
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Richard Hancox
personal cinema, experimental cinema, autobiography
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Ricardo Dal Farra
music composition, electroacoustic studies, research-creation
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Jill Didur
globalization, transnationalism, mobile media
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Elizabeth Bloodgood
international relations, NGOs, INGOs
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Luis C. Sotelo Castro
oral history performance, listening/hearing, experimental theatre
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Rosemary Mountain
aesthetics, music composition, musical analysis
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Jason Edward Lewis
aboriginal new media, Indigenous futures, digital poetry
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Jonathan Martineau
social and political theory, history of philosophy, critical theory
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Mary Ellen Davis
film/media production, social justice education, documentary making
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Louise Lamarre
Holo Editorial Layering Process, l'Atlas Cinematographique, moving image technologies
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Sandra Chang-Kredl
teacher identity, popular culture, memory
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Alison Reiko Loader
history of media arts, feminist media studies, media arts
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Alejandro Hernández
immigration, immigration policy, immigrant integration
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Luigi Allemano
animation, drawing, music making
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Katherine McLeod
Canadian literature, Canadian poetry, sound
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Alice Ming Wai Jim
contemporary Asian-Canadian art, history of media arts, global art histories
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Sandeep Bhagwati
music making, research-creation, transdisciplinarity
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Elena Benelli
migrant literature, immigration to Italy, Italian history and culture
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Marc Steinberg
media industries, animation, digital platforms
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Sandra Gabriele
newspapers, history of media arts, print culture
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Matt Soar
research-creation, cities, material culture
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Nathan Brown
poetry, poetics, critical theory
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Michael Yaroshevsky
cinematography, photography, perception
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Tim Schwab
documentary making, new media studies, first person media production
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Danièle Marcoux
Spanish to French, literary translation, Hispanic literature and culture
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Elena Razlogova
American history, Cold War, Soviet history
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Océane Jasor
gender and sexuality, gender politics, decolonization
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Françoise Naudillon
Francophonie, literary studies, francophone studies
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May Chew
immersion, interactivity, cultural studies
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Beverley Best
capitalism, political economy, globalization
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David Howes
sensory studies, law and society, human body
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Jeremy Stolow
religion and media, history of media technologies, social impacts of technology