How can we change our perspective from listening to hearing?
Mark Corwin
- Professor and Chair
- Department of Music
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Rosemary Mountain
aesthetics, music composition, musical analysis
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Kevin Austin
music composition, electroacoustic studies, aural acuity
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Eldad Tsabary
sound-focused aural training, laptop orchestra, electroacoustic studies
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Ricardo Dal Farra
music composition, electroacoustic studies, research-creation
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Owen Chapman
sound, locative media, electroacoustic studies
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Andra McCartney
sound art, listening/hearing, soundwalks
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Noah Drew
voice, acting, voice training
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Kathy Kennedy
sound, voice, music making
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Sandeep Bhagwati
music making, research-creation, transdisciplinarity
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Joshua Rager
jazz, improvisation, piano
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Luigi Allemano
animation, drawing, music making
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Liselyn Adams
performing arts, music making, contemporary music
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Lorraine Oades
material culture, performance art, DIY
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Craig Morrison
ethnomusicology, popular culture, cultural history
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Christopher Salter
performance art, responsive environments, wireless sensor networks
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Joonhee Lee
noise, sound, architectural acoustics
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Bill Vorn
machines, artificial behaviors/misbehaviors, performance art
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Amanda Dawn Christie
transmission arts, radio, intermedia
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Norman Nawrocki
creative resistance, community arts, community organizing
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Jared Wiercinski
digital libraries, open access, digital scholarship
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François Morelli
performance art, drawing, sculpture
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Valérie Lamontagne
wearables, media arts, interaction design
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Angélique Willkie
dance dramaturgy, contemporary circus, Josephine Baker
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Louise Samson
music making, piano, performing arts
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Christopher Moore
humour and parody, playfulness, social change
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Leila Sujir
media arts, 3D digital imaging, virtual environments
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Michael Montanaro
transformation, transmutation, proposition/purpose
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Mitch Mitchell
identity, storytelling, trauma
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Barbara Layne
smart textiles, performance art, textile arts
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Luis C. Sotelo Castro
oral history performance, listening/hearing, experimental theatre
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Tagny Duff
viral media, biomedia, vitalities