How might an oral history performance event facilitate listening for social change?
Luis C. Sotelo Castro
- Canada Research Chair in Oral History Performance
- Associate Professor
- Department of Theatre
- Co-Director
- Centre for Oral History and Digital Storytelling
- oral history performance8
- listening/hearing10
- experimental theatre16
- research-creation33
- social innovation7
- documentary theatre3
- walking11
- participatory processes4
- sound27
- activism25
- war and memory12
- theatre for social change8
- relational art6
- storytelling38
- representation38
- drama/performance27
- violence15
- performance studies12
- Latin America18
- participatory art2
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Edward (Ted) Little
theatre for social change, dramatic theory, verbatim theatre
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Steven High
oral history, public history, working class studies
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Rachael Van Fossen
theatre for social change, socially committed art practice, experimental theatre
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Koby Rogers Hall
activism, social practice, research-creation
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Jessica Carmichael
theatre directing, dramaturgy, acting
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Nadia Myre
contemporary art, Indigenous cultural production, research-creation
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Erin Manning
movement, relational art, radical pedagogy
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Louis Patrick Leroux
experimental theatre, contemporary circus, drama/performance
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Noah Drew
voice, acting, voice training
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Andra McCartney
sound art, listening/hearing, soundwalks
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Amy Keith
drama/performance, design for the theatre, set design
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Mark Sussman
experimental theatre, puppetry, performance studies
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Sandeep Bhagwati
music making, research-creation, transdisciplinarity
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Emer O'Toole
performance studies, Irish theatre, activist art
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Shauna Janssen
performative urbanism, spatial dramaturgy, public spaces
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Eldad Tsabary
sound-focused aural training, laptop orchestra, electroacoustic studies
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Norman Nawrocki
creative resistance, community arts, community organizing
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Kathleen Vaughan
socially committed art practice, public pedagogies, place
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Bonnie Harnden
drama therapy, trauma, attachment
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Katherine McLeod
Canadian literature, Canadian poetry, sound
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Mitch Mitchell
identity, storytelling, trauma
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Raymond Marius Boucher
scenography, performance design, design for the theatre
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Kit Brennan
playwriting, narrative, storytelling
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Floyd Favel
Indigenous performance theory, Indigenous theatre, performance studies
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Patrick McDonagh
history of intellectual disability, literature studies, cultural history
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Kate Bligh
playwriting, Shakespeare, Jerzy Grotowski
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Eva Pomeroy
transformational learning, social innovation, Theory U/u.lab
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Mia Consalvo
digital games, game studies and design, avatars in gaming
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Yasmin Jiwani
violence against women, media representations, visible minorities
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Kathy Kennedy
sound, voice, music making
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pk langshaw
social design, research-creation, media arts
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Barbara Lorenzkowski
North American history, history of children and youth, war and memory
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Michael Yaroshevsky
cinematography, photography, perception
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Chih-Chien Wang
everydayness, perception, presence
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Arseli Dokumaci
critical disability studies, performance studies, micro-activist affordances
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Audrey-Anne Bouchard
design for the theatre, lighting design, drama/performance
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Jared Wiercinski
digital libraries, open access, digital scholarship
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Amanda Dawn Christie
transmission arts, radio, intermedia
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Jessica Auer
photography, cultural history, landscape
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Velibor Božović
photography, other lives of the photograph, historical memory
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Alison Reiko Loader
history of media arts, feminist media studies, media arts
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Mary Ellen Davis
film/media production, social justice education, documentary making
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Tina Hilgers
political clientelism, violence, patronage
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Ariela Freedman
literary modernism, James Joyce, graphic novels
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Ricardo Dal Farra
music composition, electroacoustic studies, research-creation
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Janis Timm-Bottos
community arts, art hives, inclusion/exclusion
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Marisa Portolese
portraiture, women's studies, storytelling
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Mark Corwin
electroacoustic studies, music composition, listening/hearing
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Robert Reid
acting, stage poetics, old/new
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Tim Schwab
documentary making, new media studies, first person media production
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Laura Endacott
visual culture, contemporary art, relational art
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Eric Mongerson
design for the theatre, set design, lighting design
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Sandi Curtis
music therapy, feminist methodology, palliative care
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Cynthia Quarrie
British literature, contemporary literature, ethics
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Marielle Nitoslawska
avant-garde cinemas, politics of perception, sensate representation
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Yehudit Silverman
arts-based learning, masks, drama therapy
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Owen Chapman
sound, locative media, electroacoustic studies
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Liselyn Adams
performing arts, music making, contemporary music
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Elizabeth L. Miller
documentary making, video advocacy, social justice
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Ronald Rudin
public history, French Canada, oral history
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Matt Soar
research-creation, cities, material culture
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Ursula (Ulla) Neuerburg-Denzer
acting, physical theatre, affect