How might an oral history performance event facilitate listening for social change?
Luis C. Sotelo Castro
- Canada Research Chair in Oral History Performance
- Associate Professor
- Department of Theatre
- Co-Director
- Centre for Oral History and Digital Storytelling
- oral history performance8
- listening/hearing10
- experimental theatre16
- research-creation31
- social innovation8
- documentary theatre3
- walking11
- participatory processes4
- sound27
- activism25
- war and memory12
- theatre for social change8
- relational art6
- storytelling38
- representation37
- drama/performance27
- violence20
- performance studies12
- Latin America19
- participatory art2
-
Edward (Ted) Little
theatre for social change, dramatic theory, verbatim theatre
-
Steven High
20th century, Montreal's diverse neighbourhoods, public history
-
Rachael Van Fossen
theatre for social change, socially committed art practice, experimental theatre
-
Koby Rogers Hall
activism, social practice, research-creation
-
Jessica Carmichael
theatre directing, dramaturgy, acting
-
Noah Drew
voice, acting, voice training
-
Louis Patrick Leroux
experimental theatre, contemporary circus, drama/performance
-
Erin Manning
relational art, participatory art, painting
-
Nadia Myre
contemporary art, Indigenous cultural production, research-creation
-
Sandeep Bhagwati
music making, research-creation, transdisciplinarity
-
Mark Sussman
experimental theatre, puppetry, performance studies
-
Mitch Mitchell
identity, storytelling, trauma
-
Katherine McLeod
Canadian literature, Canadian poetry, sound
-
Andra McCartney
sound art, listening/hearing, soundwalks
-
Eldad Tsabary
sound-focused aural training, laptop orchestra, electroacoustic studies
-
Kathleen Vaughan
socially committed art practice, public pedagogies, place
-
Bonnie Harnden
drama therapy, trauma, attachment
-
Amy Keith
drama/performance, design for the theatre, set design
-
Emer O'Toole
performance studies, Irish theatre, activist art
-
Shauna Janssen
performative urbanism, spatial dramaturgy, public spaces
-
Norman Nawrocki
creative resistance, community arts, community organizing
-
Matt Soar
research-creation, cities, material culture
-
Floyd Favel
Indigenous performance theory, Indigenous theatre, performance studies
-
Elizabeth L. Miller
documentary making, video advocacy, social justice
-
Liselyn Adams
performing arts, music making, contemporary music
-
Owen Chapman
sound, locative media, electroacoustic studies
-
Yehudit Silverman
arts-based learning, masks, drama therapy
-
Marielle Nitoslawska
avant-garde cinemas, politics of perception, sensate representation
-
Cynthia Quarrie
British literature, contemporary literature, ethics
-
Sandi Curtis
music therapy, feminist methodology, palliative care
-
Masha Salazkina
transnationalism, criticism, Marxist theory
-
Eric Mongerson
design for the theatre, set design, lighting design
-
Laura Endacott
visual culture, contemporary art, relational art
-
Tim Schwab
documentary making, new media studies, first person media production
-
Robert Reid
acting, stage poetics, old/new
-
Mark Corwin
electroacoustic studies, music composition, listening/hearing
-
Marisa Portolese
portraiture, women, storytelling
-
Janis Timm-Bottos
community arts, art hives, inclusion/exclusion
-
Ricardo Dal Farra
music composition, electroacoustic studies, research-creation
-
Ariela Freedman
literary modernism, James Joyce, graphic novels
-
Tina Hilgers
political clientelism, violence, patronage
-
Mary Ellen Davis
film/media production, social justice education, documentary making
-
Alison Reiko Loader
history of media arts, feminist media studies, media arts
-
Raymond Marius Boucher
scenography, production design, design for the theatre
-
Kit Brennan
playwriting, narrative, storytelling
-
Ursula (Ulla) Neuerburg-Denzer
acting, physical theatre, affect
-
Patrick McDonagh
history of intellectual disability, literature studies, cultural history
-
Max Bergholz
violence, nationalism, memory
-
Kate Bligh
playwriting, Shakespeare, Jerzy Grotowski
-
Eva Pomeroy
transformational learning, social innovation, Theory U/u.lab
-
Gavin Foster
Irish history, Irish studies, cultural history
-
Mia Consalvo
digital games, game studies and design, avatars in gaming
-
Yasmin Jiwani
violence against women, media representations, visible minorities
-
Kathy Kennedy
sound, voice, music making
-
pk langshaw
social design, research-creation, media arts
-
Barbara Lorenzkowski
North American history, war and memory, children's geographies
-
Michael Yaroshevsky
cinematography, photography, perception
-
Chih-Chien Wang
everydayness, perception, presence
-
Arseli Dokumaci
critical disability studies, performance studies, micro-activist affordances
-
Audrey-Anne Bouchard
design for the theatre, lighting design, drama/performance
-
Jared Wiercinski
digital libraries, open access, digital scholarship
-
Amanda Dawn Christie
transmission arts, radio, intermedia
-
Jessica Auer
photography, cultural history, landscape
-
Velibor Božović
photography, other lives of the photograph, memory
-
Ronald Rudin
public history, French Canada, oral history