How can we reduce a film's budget without affecting production value?
Louise Lamarre
- Professor
- Mel Hoppenheim School of Cinema
- Holo Editorial Layering Process
- l'Atlas Cinematographique
- moving image technologies4
- film/media production22
- cinema26
- craft of fiction13
- documentary making24
- film directing3
- screenwriting5
- storytelling43
- independent films2
- in-camera special effects
- feature films4
- music videos3
- television7
- corporate films
- advertising strategies9
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Guylaine Dionne
women and film/media, archives in contemporary art, cinema
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Roy Cross
craft of fiction, screenwriting, cinema
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Michael Yaroshevsky
cinematography, photography, perception
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Luc Otter
animation director, computer animation, traditional animation
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Marielle Nitoslawska
avant-garde cinemas, politics of perception, sensate representation
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Jean-Claude Bustros
generative storytelling, responsive environments, urban embedded cinema
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Mary Ellen Davis
film/media production, social justice education, documentary making
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Haidee Wasson
emergent media, moving image technologies, cultural institutions
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Cilia Sawadogo
animation, cinema, film/media production
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Daniel Cross
documentary making, democratic values, cultural and social change
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Donato Totaro
moving image studies, temporality, horror genre
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Barry Lazar
documentary making, creative nonfiction, media convergence
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Miao Song
cinema, interactive projection mapping, China studies
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Velibor Božović
photography, other lives of the photograph, historical memory
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Elizabeth (Liz) Miller
documentary making, video advocacy, social justice
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Jessica Auer
photography, cultural history, landscape
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Nicolas Renaud
Indigenous cinema, Huron-Wendat Nation, Indigenous ecology
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Razan AlSalah
media arts, critical geography, Palestine
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Lorna Roth
skin color, multiracialism, ethnocultural diversity
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Kit Brennan
playwriting, narrative, storytelling
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Luigi Allemano
animation, drawing, music making
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Masha Salazkina
transnationalism, Soviet film, Latin American cinemas
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Brian Lewis
technological change, social impacts of technology, research networks
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Richard Hancox
personal cinema, experimental cinema, autobiography
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Shira Avni
animation, animated documentary, disability rights
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Yehudit Silverman
arts-based learning, masks, drama therapy
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Ronald Rudin
public history, French Canada, oral history
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Matt Soar
research-creation, cities, material culture
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Raymonde April
autofiction, afterlife, storytelling
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Tim Schwab
documentary making, new media studies, first person media production