How can we reduce a film's budget without affecting production value?
Louise Lamarre
- Professor
- Mel Hoppenheim School of Cinema
- Holo Editorial Layering Process
- l'Atlas Cinematographique
- moving image technologies4
- film/media production22
- cinema27
- craft of fiction14
- documentary making22
- film directing3
- screenwriting5
- storytelling38
- independent films2
- in-camera special effects
- feature films4
- music videos3
- television7
- corporate films
- advertising strategies8
-
Guylaine Dionne
women and film/media, archive, cinema
-
Roy Cross
craft of fiction, screenwriting, cinema
-
Michael Yaroshevsky
cinematography, photography, perception
-
Luc Otter
animation director, computer animation, traditional animation
-
Marielle Nitoslawska
avant-garde cinemas, politics of perception, sensate representation
-
Jean-Claude Bustros
generative storytelling, responsive environments, urban embedded cinema
-
Mary Ellen Davis
film/media production, social justice education, documentary making
-
Velibor Božović
photography, other lives of the photograph, historical memory
-
Cilia Sawadogo
animation, cinema, film/media production
-
Daniel Cross
documentary making, democratic values, cultural and social change
-
Haidee Wasson
emergent media, moving image technologies, cultural institutions
-
Barry Lazar
documentary making, creative nonfiction, media convergence
-
Miao Song
cinema, interactive projection mapping, China
-
Elizabeth L. Miller
documentary making, video advocacy, social justice
-
Donato Totaro
moving image studies, temporality, horror genre
-
Jessica Auer
photography, cultural history, landscape
-
Nicolas Renaud
documentary making, media arts, Indigenous cinema
-
Lorna Roth
skin color, multiracialism, ethnocultural diversity
-
Kit Brennan
playwriting, narrative, storytelling
-
Luigi Allemano
animation, drawing, music making
-
Tim Schwab
documentary making, new media studies, first person media production
-
Brian Lewis
technological change, social impacts of technology, research networks
-
Richard Hancox
personal cinema, experimental cinema, autobiography
-
Shira Avni
animation, animated documentary, disability rights
-
Yehudit Silverman
arts-based learning, masks, drama therapy
-
Ronald Rudin
public history, French Canada, oral history
-
Matt Soar
research-creation, cities, material culture
-
Raymonde April
autofiction, afterlife, storytelling
-
Masha Salazkina
transnationalism, Soviet film, Latin American cinemas