What kind of partnership is needed to balance between Indigenous and Western theatre‑making frameworks?
Jessica Carmichael
- Assistant Professor
- Department of Theatre
- theatre directing5
- dramaturgy9
- acting6
- playwriting6
- experimental theatre16
- performance studies12
- drama/performance27
- performing arts23
- theatre for social change8
- devised theatre4
- theatre traditions2
- theatre for young audiences
- Indigenous Peoples51
- Indigenous cultural production9
- cultural continuity12
- youth culture13
- landscape connectivity2
- oral history performance8
- gender and sexuality40
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Robert Reid
acting, stage poetics, old/new
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Kate Bligh
playwriting, Shakespeare, Jerzy Grotowski
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Floyd Favel
Indigenous performance theory, Indigenous theatre, performance studies
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Noah Drew
voice, acting, voice training
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Luis C. Sotelo Castro
oral history performance, listening/hearing, experimental theatre
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Ursula (Ulla) Neuerburg-Denzer
acting, physical theatre, affect
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Rachael Van Fossen
theatre for social change, socially committed art practice, experimental theatre
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Nadia Myre
contemporary art, Indigenous cultural production, research-creation
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Louis Patrick Leroux
experimental theatre, contemporary circus, drama/performance
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Sandeep Bhagwati
music making, research-creation, transdisciplinarity
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Raymond Marius Boucher
scenography, performance design, design for the theatre
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Edward (Ted) Little
theatre for social change, dramatic theory, verbatim theatre
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MJ Thompson
performance studies, dance studies, writing and writing pedagogies
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Heather Igloliorte
cultural continuity, decolonization, exhibition
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Mark Sussman
experimental theatre, puppetry, performance studies
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Karine Awashish
Indigenous futures, collective entrepreneurship, cultural continuity
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Koby Rogers Hall
activism, social practice, research-creation
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Shauna Janssen
performative urbanism, spatial dramaturgy, public spaces
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Amy Keith
drama/performance, design for the theatre, set design
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Warren Linds
psychosocial risk, theatre for social change, performative inquiry
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Christine Jamieson
bioethics, Indigenous spiritualities, values
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Danielle Bobker
British literature, 18th century, Restoration
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Elizabeth Fast
Indigenous youth, youth engagement, urban Indigenous studies
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Bonnie Harnden
drama therapy, trauma, attachment
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Felice Yuen
leisure, Indigenous Peoples, women in prison
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Louellyn White
Indigenous Peoples, residential schools, history of Indigenous education
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Tim Schwab
documentary making, new media studies, first person media production
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Anne Whitelaw
Canadian art history, museology, collecting
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Emanuel Lowi
Inuit, Indigenous Peoples, contemporary Indigenous politics
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Audrey-Anne Bouchard
design for the theatre, lighting design, drama/performance
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Emer O'Toole
performance studies, Irish theatre, activist art
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Jessica Bardill
Indigenous literatures, Indigenous knowledges, storytelling
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Donna Kahérakwas Goodleaf
Indigenous Peoples, curriculum development, institutional change
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Louise Samson
music making, piano, performing arts
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Beenash Jafri
racialization, decolonization, gender and sexuality
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Julie Soleil Archambault
African studies, youth culture, urbanization
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Aditya Dewan
Indigenous Peoples, South Asia, human rights
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Norman Nawrocki
creative resistance, community arts, community organizing
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Nicolas Renaud
documentary making, media arts, Indigenous cinema
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Janice Anderson
Canadian art history, feminism, women artists
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Manon Tremblay
Indigenous Peoples, institutional change, pedagogical change
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Marcie Frank
British literature, modernity, narrative
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Katherine McLeod
Canadian literature, Canadian poetry, sound
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Ana Cappelluto
scenography, audience, devised theatre
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Kit Brennan
playwriting, narrative, storytelling
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Angélique Willkie
dance dramaturgy, contemporary circus, Josephine Baker