How has cinema shaped our everyday ideas about movement, sound and light?
Haidee Wasson
- Professor
- Mel Hoppenheim School of Cinema
- emergent media3
- moving image technologies4
- cultural institutions2
- film/media theory10
- women and film/media5
- film/media historiography2
- screen culture6
- history of the moving image5
- museology8
- cultural histories of cinema3
- moving image studies14
- cultural studies30
- history of media arts20
- cinema26
- radio7
- television7
- web videos2
- oral history19
- critical curatorial studies11
- American studies11
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Alice Ming Wai Jim
contemporary Asian-Canadian art, history of media arts, global art histories
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Bart Simon
technoculture, playfulness, digital games
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Charles Acland
moving image studies, new media studies, film/media theory
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Rosanna Maule
women and film/media, feminist media studies, creative economy
-
Marc Steinberg
platform studies, Asian media industries, Japanese animation/anime
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Catherine Russell
film/media theory, criticism, Japanese cinema
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Masha Salazkina
transnationalism, Soviet film, Latin American cinemas
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Donato Totaro
moving image studies, temporality, horror genre
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Luca Caminati
cinema, postcolonial literature and theory, orientalism
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Heather Igloliorte
cultural continuity, decolonization, exhibition
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Cheryl Simon
contemporary art, globalism, media arts
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David Douglas
history of the moving image, Cuban cinema, avant-garde cinemas
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Anne Whitelaw
Canadian art history, museology, collecting
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Guylaine Dionne
women and film/media, archives in contemporary art, cinema
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Louise Lamarre
Holo Editorial Layering Process, l'Atlas Cinematographique, moving image technologies
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Thomas Waugh
documentaries, film/media theory, queer studies
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Michael Yaroshevsky
cinematography, photography, perception
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Sandra Gabriele
newspapers, history of media arts, print culture
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Joshua Neves
global media, digital cultures, cultural theory
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Marielle Nitoslawska
avant-garde cinemas, politics of perception, sensate representation
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Sébastien Caquard
cartography, mapping, GIS/GPS
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Alison Reiko Loader
history of media arts, feminist media studies, media arts
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May Chew
immersion, interactivity, cultural studies
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Katherine McLeod
Canadian literature, Canadian poetry, sound studies
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Jean-Claude Bustros
generative storytelling, responsive environments, urban embedded cinema
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Christopher Salter
performance art, responsive environments, wireless sensor networks
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Rebecca Duclos
museology, curatorial practices, para-academic research methods
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Nicolas Renaud
documentary making, media arts, Indigenous cinema
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Steven High
oral history, public history, working class studies
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Elena Razlogova
USA history, Cold War, Soviet history
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Richard Hancox
personal cinema, experimental cinema, autobiography
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Darren Wershler
history of media arts, new media studies, digital cultures
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Tim Schwab
documentary making, new media studies, first person media production
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Sandra Chang-Kredl
teacher identity, popular culture, memory