How has cinema shaped our everyday ideas about movement, sound and light?
Haidee Wasson
- Professor
- Mel Hoppenheim School of Cinema
- screen culture7
- history of the moving image5
- museology8
- feminism25
- moving image technologies4
- portable film technologies
- cultural histories of cinema2
- moving image studies14
- film/media historiography2
- women and film/media5
- film/media theory10
- cultural studies29
- history of media arts22
- cinema26
- sound26
- radio6
- television7
- web videos
- critical curatorial studies10
- emergent media3
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Catherine Russell
cinephilia, experimental cinema, Japanese cinema
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Bart Simon
technoculture, playfulness, digital games
-
Rosanna Maule
women and film/media, feminist media studies, creative economy
-
Alice Ming Wai Jim
contemporary Asian-Canadian art, history of media arts, global art histories
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Marc Steinberg
media industries, animation, digital platforms
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Charles Acland
moving image studies, new media studies, film/media theory
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Masha Salazkina
transnationalism, criticism, Marxist theory
-
Joshua Neves
emergent media, cultural theory, globalization
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Luca Caminati
cinema, postcolonial literature and theory, orientalism
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Donato Totaro
moving image studies, temporality, horror genre
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Guylaine Dionne
women and film/media, archive, cinema
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Sandra Gabriele
newspapers, history of media arts, print culture
-
David Douglas
history of the moving image, Cuban cinema, avant-garde cinemas
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Cheryl Simon
contemporary art, globalism, media arts
-
Anne Whitelaw
Canadian art history, museology, collecting
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Heather Igloliorte
cultural continuity, decolonization, exhibition
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Kathy Kennedy
sound, voice, music making
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Thomas Waugh
documentaries, film/media theory, queer studies
-
Louise Lamarre
Holo Editorial Layering Process, l'Atlas Cinematographique, moving image technologies
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Katherine McLeod
Canadian literature, Canadian poetry, sound
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Michael Yaroshevsky
cinematography, photography, perception
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Alison Reiko Loader
history of media arts, feminist media studies, media arts
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Elena Razlogova
20th century, American history, history of media arts
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May Chew
immersion, interactivity, cultural studies
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Rebecca Duclos
museology, curatorial practices, para-academic research methods
-
Tanja Tajmel
STEM education, human rights, feminism
-
Luc Otter
animation director, computer animation, traditional animation
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Jean-Claude Bustros
generative storytelling, responsive environments, urban embedded cinema
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Matthew Unger
law and society, contemporary accusatory practices, aesthetics
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Krista Geneviève Lynes
gender and sexuality, media arts, globalization
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Elena Benelli
migrant literature, immigration to Italy, Italian history and culture
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Darren Wershler
history of media arts, new media studies, digital culture
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Tim Schwab
documentary making, new media studies, first person media production
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Christopher Salter
performance art, responsive environments, wireless sensor networks
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Marielle Nitoslawska
avant-garde cinemas, politics of perception, sensate representation
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Luigi Allemano
animation, drawing, music making
-
Richard Hancox
personal cinema, experimental cinema, autobiography
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Sandra Chang-Kredl
teacher identity, popular culture, memory