What roles do compassion, femininity and love play in our lives, in our dreams and in our films?
Guylaine Dionne
- Associate Professor
- Mel Hoppenheim School of Cinema
- Graduate Program Director:
- MFA in Cinematic Arts
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Rosanna Maule
women and film/media, feminist media studies, creative economy
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Louise Lamarre
Holo Editorial Layering Process, l'Atlas Cinematographique, moving image technologies
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Roy Cross
craft of fiction, scriptwriting, cinema
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Michael Yaroshevsky
cinematography, photography, perception
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Marielle Nitoslawska
avant-garde cinemas, politics of perception, sensate representation
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Haidee Wasson
screen culture, history of the moving image, museology
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Velibor Božović
photography, other lives of the photograph, memory
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Cilia Sawadogo
animation, cinema, film/media production
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Jean-Claude Bustros
generative storytelling, responsive environments, urban embedded cinema
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Elizabeth L. Miller
documentary making, video advocacy, social justice
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Monika Kin Gagnon
Expo 67, ethnocultural diversity, memory
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Daniel Cross
documentary making, democratic values, cultural and social change
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Raymonde April
autofiction, afterlife, storytelling
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Luc Otter
animation director, computer animation, traditional animation
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Miao Song
performing arts, interactive projection mapping, cinema
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Barry Lazar
documentary making, creative nonfiction, media convergence
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Mary Ellen Davis
film/media production, social justice education, documentary making
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Marisa Portolese
portraiture, women, storytelling
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Tim Schwab
documentary making, new media studies, first person media production
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Sina Queyras
ecopoetics, poetry, women's writing
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Janis Timm-Bottos
community arts, art hives, inclusion/exclusion
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Ricardo Dal Farra
music composition, electroacoustic studies, research-creation
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Janice Anderson
Canadian art history, feminism, women artists
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Clara Gutsche
photography, view camera, architectural interiors
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Lucie Lequin
littérature québécoise, ethnocultural diversity, Quebec studies
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Cheryl Simon
contemporary art, globalism, media arts
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Nicolas Renaud
documentary making, media arts, Indigenous cinema
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Luigi Allemano
animation, drawing, music making
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Ronald Rudin
public history, French Canada, oral history
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Kit Brennan
playwriting, narrative, storytelling
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Donato Totaro
moving image studies, temporality, horror genre
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Jessica Auer
photography, cultural history, landscape
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Matt Soar
research-creation, cities, material culture
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Nathan Brown
poetry, poetics, critical theory
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Brian Lewis
technological change, social impacts of technology, research networks
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Richard Hancox
personal cinema, experimental cinema, autobiography
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Geneviève Rail
women's health, sociology of medicine, biopolitics
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Shira Avni
animation, animated documentary, disability rights
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Yehudit Silverman
arts-based learning, masks, drama therapy
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Catherine Russell
cinephilia, experimental cinema, Japanese cinema