What roles do compassion, femininity and love play in our lives, in our dreams and in our films?
Guylaine Dionne
- Associate Professor
- Mel Hoppenheim School of Cinema
-
Rosanna Maule
women in cinema, feminist media studies, women and film/media
-
Louise Lamarre
Holo Editorial Layering Process, l'Atlas Cinematographique, moving image technologies
-
Roy Cross
craft of fiction, scriptwriting, cinema
-
Marielle Nitoslawska
avant-garde cinemas, politics of perception, sensate representation
-
Haidee Wasson
screen culture, history of the moving image, museology
-
Cilia Sawadogo
animation, cinema, film/media production
-
Velibor Božović
photography, other lives of the photograph, memory
-
Elizabeth L. Miller
human rights, documentary making, social justice
-
Barry Lazar
documentary making, creative nonfiction, media convergence
-
Monika Kin Gagnon
Expo 67, ethnocultural diversity, memory
-
Mary Ellen Davis
film/media production, social justice education, documentary making
-
Luc Otter
animation director, computer animation, traditional animation
-
Daniel Cross
documentary making, democratic values, cultural and social change
-
Raymonde April
autofiction, afterlife, storytelling
-
Marisa Portolese
portraiture, women, storytelling
-
Miao Song
performing arts, interactive projection mapping, cinema
-
Jean-Claude Bustros
generative storytelling, responsive environments, urban embedded cinema
-
Shira Avni
animation, animated documentary, disability rights
-
Jessica Auer
photography, cultural history, landscape
-
Cheryl Simon
contemporary art, globalism, media arts
-
Lucie Lequin
Quebec literature, ethnocultural diversity, Quebec studies
-
Janis Timm-Bottos
community arts, art hives, inclusion/exclusion
-
Yehudit Silverman
arts-based learning, masks, drama therapy
-
Catherine Russell
cinephilia, experimental cinema, Japanese cinema
-
Matt Soar
experimental cinema, residual media, new media
-
Sina Queyras
ecopoetics, poetry, women's writing
-
Ronald Rudin
public history, French Canada, oral history
-
Donato Totaro
moving image studies, temporality, horror genre
-
Clara Gutsche
photography, view camera, architectural interiors
-
Kit Brennan
playwriting, narrative, storytelling
-
Tim Schwab
documentary making, new media, first person media production
-
Nathan Brown
poetry, poetics, critical theory
-
Luigi Allemano
animation, drawing, music making
-
Brian Lewis
technological change, social impacts of technology, research networks
-
Janice Anderson
Canadian art history, feminism, women artists
-
Richard Hancox
personal cinema, experimental cinema, autobiography
-
Ricardo Dal Farra
music composition, electroacoustic studies, research-creation
