Do people experience time in art differently than in their normal lives?
Donato Totaro
- Part‑time Faculty Member
- Mel Hoppenheim School of Cinema
-
Catherine Russell
cinephilia, experimental cinema, Japanese cinema
-
Masha Salazkina
transnationalism, criticism, Marxist theory
-
Haidee Wasson
screen culture, history of the moving image, museology
-
Marielle Nitoslawska
avant-garde cinemas, politics of perception, sensate representation
-
Richard Hancox
personal cinema, experimental cinema, autobiography
-
David Douglas
history of the moving image, Cuban cinema, avant-garde cinemas
-
Joshua Neves
emergent media, cultural theory, global media
-
Luca Caminati
cinema, postcolonial literature and theory, orientalism
-
Louise Lamarre
Holo Editorial Layering Process, l'Atlas Cinematographique, film technologies
-
Charles Acland
moving image studies, new media, film/media theory
-
Marcie Frank
British literature, modernity, narrative
-
André Roy
literature, cinema, criticism
-
Christopher Moore
humor and parody, playfulness, social change
-
David Howes
sensory studies, law and society, consumption
-
Rosanna Maule
women in cinema, feminist media studies, women and film/media
-
Cheryl Simon
contemporary art, globalism, media arts
-
Jessica Auer
photography, cultural history, landscape
-
Marc Steinberg
media industries, animation, digital platforms
-
Sina Queyras
writing poetry, avant-garde writing, ecopoetics
-
Jean-Claude Bustros
generative storytelling, responsive environments, urban embedded cinema
-
Emer O'Toole
performance studies, Irish theatre, activist art
-
Cilia Sawadogo
animation, cinema, film/media production
-
Kit Brennan
playwriting, narrative, storytelling
-
Guylaine Dionne
women and film/media, archive, cinema
-
Thomas Waugh
documentaries, film/media theory, queer studies
-
Sandra Chang-Kredl
teacher identity, popular culture, memory
-
Roy Cross
craft of fiction, scriptwriting, cinema
-
Lorna Roth
skin color, multiracialism, ethnocultural diversity
-
Raymonde April
autofiction, afterlife, storytelling
