How do popular musical styles form and evolve?
Craig Morrison
- Part‑time Faculty Member
- Fine Arts Electives for Non‑Majors
- Department of Music
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Joshua Rager
jazz, improvisation, piano
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Liselyn Adams
performing arts, music making, contemporary music
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Rosemary Mountain
aesthetics, music composition, musical analysis
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Kathy Kennedy
sound, voice, music making
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Ricardo Dal Farra
music composition, electroacoustic studies, research-creation
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Andra McCartney
sound art, listening/hearing, soundwalks
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Noah Drew
voice, acting, voice training
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Gearóid Ó hAllmhuráin
Irish tradition, Irish music, Irish folk culture
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Mark Corwin
electroacoustic studies, music composition, listening/hearing
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Owen Chapman
sound, locative media, electroacoustic studies
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Patrick McDonagh
history of intellectual disability, literature studies, cultural history
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Eldad Tsabary
sound-focused aural training, laptop orchestra, electroacoustic studies
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Jean-Philippe Warren
Quebec studies, cultural history, intellectual history
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Laurel Young
music therapy, gerontology, community arts
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Andrew Ivaska
Africa, cultural history, global 1960s
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Maurice Charland
rhetoric and discourse, argumentation, political theory
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Angélique Willkie
dance dramaturgy, contemporary circus, Josephine Baker
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Luigi Allemano
animation, drawing, music making
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Kevin Pask
Renaissance literature, making publics, popular culture
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Lorenzo DiTommaso
apocalypticism, cultural history, history of ideas
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Louise Samson
music making, piano, performing arts
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Guylaine Vaillancourt
arts-based learning, music therapy, participatory action research
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Sandeep Bhagwati
music making, research-creation, transdisciplinarity
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Matthew Unger
law and society, contemporary accusatory practices, aesthetics
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Christine Beckett
music making, music education, neuroimaging
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Charles Acland
moving image studies, new media studies, film/media theory