How do popular musical styles form and evolve?
Craig Morrison
- Part‑time Faculty Member
- Fine Arts Electives for Non‑Majors
- Department of Music
-
Joshua Rager
jazz, improvisation, piano
-
Gearóid Ó hAllmhuráin
Irish tradition, Irish music, Irish folk culture
-
Rosemary Mountain
aesthetics, music composition, musical analysis
-
Katharine Streip
posthumanism, Beat literature and culture, ecocriticism
-
Kathy Kennedy
sound studies, voice, music making
-
Ricardo Dal Farra
music composition, electroacoustic studies, research-creation
-
Liselyn Adams
music making, contemporary music, baroque music
-
Luigi Allemano
animation, drawing, music making
-
Maurice Charland
rhetoric and discourse, argumentation, political theory
-
Noah Drew
voice, acting, voice training
-
Patrick McDonagh
history of intellectual disability, literature studies, cultural history
-
Eldad Tsabary
sound-focused aural training, laptop orchestra, electroacoustic studies
-
Jean-Philippe Warren
Quebec studies, cultural history, intellectual history
-
Barbara Lorenzkowski
North American history, history of children and youth, war and memory
-
Bimadoshka (Annya) Pucan
wax cylinders, oral history, Indigenous studies
-
Laurel Young
music therapy, gerontology, community arts
-
Kevin Pask
Renaissance literature, making publics, popular culture
-
Lorenzo DiTommaso
apocalypticism, cultural history, history of ideas
-
Mark Corwin
electroacoustic studies, music composition, listening/hearing
-
Guylaine Vaillancourt
music therapy, arts-based learning, participatory action research
-
David McGimpsey
popular culture, rock'n'roll, food writing
-
Owen Chapman
sound studies, locative media, electroacoustic studies
-
Matthew Unger
law and society, contemporary accusatory practices, aesthetics
-
Christine Beckett
music making, music education, neuroimaging
-
Charles Acland
moving image studies, new media studies, film/media theory