How can we use the paradigm of performance to grapple with the increasingly complex nature of human‑technical life?
Christopher Salter
- Concordia University Research Chair in New Media, Technology and the Senses
- Professor
- Department of Design and Computation Arts
- Network Co‑Director
- Hexagram-Concordia
- performance art14
- responsive environments4
- wireless sensor networks8
- cognition10
- media arts21
- philosophy of science16
- digital technologies7
- sound design6
- senses10
- embodiment10
- digital sound technology6
- sensory studies16
- ethnography28
- architecture13
- history of media arts23
- scenography5
- critical curatorial studies10
- interaction design10
- installation22
- movement12
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Sandeep Bhagwati
music making, research-creation, transdisciplinarity
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David Howes
sensory studies, law and society, consumption
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Ingrid Bachmann
contingent, activities of daily living, embodiment
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Andra McCartney
sound art, listening/hearing, soundwalks
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Philip Szporer
perception, embodiment, movement
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Audrey-Anne Bouchard
design for the theatre, lighting design, drama/performance
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Valérie Lamontagne
wearables, media arts, interaction design
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Bill Vorn
machines, artificial behaviors/misbehaviors, performance art
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Ricardo Dal Farra
music composition, electroacoustic studies, research-creation
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Tagny Duff
viral media, biomedia, vitalities
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Mark Corwin
electroacoustic studies, music composition, listening/hearing
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Cheryl Simon
contemporary art, globalism, media arts
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Alison Reiko Loader
history of media arts, feminist media studies, media arts
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David Morris
phenomenology, Hegel, movement
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MJ Thompson
performance studies, dance studies, writing and writing pedagogies
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François Morelli
performance art, drawing, sculpture
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Heather Igloliorte
cultural continuity, decolonization, exhibition
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Lorraine Oades
material culture, performance art, DIY
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pk langshaw
social design, research-creation, media arts
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Louis Patrick Leroux
experimental theatre, contemporary circus, drama/performance
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Martha Langford
photography history, photography theory, Canadian art history
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Pippin Barr
digital games, experimental game design, critical design
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Christopher Moore
humour and parody, playfulness, social change
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Orit Halpern
history of science, urban design, smart cities
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Mitch Mitchell
identity, storytelling, trauma
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Krista Geneviève Lynes
gender and sexuality, media arts, globalization
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M. Wright
book design, graphic design, typographic design
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Lynn Hughes
game studies and design, interdisciplinary soup, media arts
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Erin Manning
relational art, participatory art, painting
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Jean-Claude Bustros
generative storytelling, responsive environments, urban embedded cinema
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Owen Chapman
sound, locative media, electroacoustic studies
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Aaron Johnson
human vision, perception, eye movements
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Walter Wittich
human vision, vision impairment, hearing impairment
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Shauna Janssen
performative urbanism, spatial dramaturgy, public spaces
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Charlie Gedeon
interaction design, design thinking, educational technologies
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Barbara Layne
smart textiles, performance art, textile arts
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Bianca Grohmann
multisensory marketing, retail atmospherics, perception
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Anthony Synnott
masculinities, senses, gender and sexuality
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Marc Lafrance
masculinities, skin, human body
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Martin French
risk, surveillance, social justice
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Matthew Barker
philosophy of biology, philosophy of science, categorization
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Joshua Neves
emergent media, cultural theory, globalization
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Haidee Wasson
screen culture, history of the moving image, museology
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Jeremy Stolow
religion and media, history of media technology, social impacts of technology
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Alice Ming Wai Jim
contemporary Asian-Canadian art, history of media arts, global art histories
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Leila Sujir
media arts, 3D digital imaging, virtual environments
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Luigi Allemano
animation, drawing, music making
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Rilla Khaled
game studies and design, critical design, persuasive design
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Miao Song
performing arts, interactive projection mapping, cinema
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Silvano de la Llata
urban futures, public spaces, urban design
