How do scientific and technological advances change the imaginary relations between ourselves and the world?
Bradley J. Nelson
- Associate Dean, Academic Programs and Development
- School of Graduate Studies
- Professor
- Department of Classics, Modern Languages and Linguistics
- Hispanic literature and culture4
- social impacts of technology31
- history of science13
- cultural history54
- visual culture21
- public art9
- science fiction6
- baroque spectacle2
- the fantastic
- Latino theatre
- critical theory31
- aesthetics26
- early modernity21
- myth7
- Spanish language5
- ritual11
- philology7
- science and literature3
- cognitive science32
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Maya Rae Oppenheimer
cultural history, history of media arts, materiality
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Roberto Viereck Salinas
colonialism, Latin American studies, contemporary poetry
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Jeremy Stolow
religion and media, material religion, history of media technologies
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Stephen Yeager
medieval literature, literature studies, poetry
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Jean-Michel Roessli
Christianity, church history, Sibylline Oracles
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Steven Stowell
Renaissance art, sacred art, medieval art
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Alison Reiko Loader
history of media arts, feminist media studies, media arts
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Judith Herz
literature studies, poetry, narrative
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VK Preston
cultural history, performance studies, embodiment
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David Graham
advent of printing, allegory, fables
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Danièle Marcoux
Spanish to French, literary translation, Hispanic literature and culture
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Nicola Pezolet
modernism, architecture studies, built environment
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Meredith Evans
Renaissance literature, Shakespeare, Milton
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Ira Robinson
Judaism, Hassidic Judaism, Kabbalah
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José Antonio Giménez Micó
Latin American studies, cultural studies, literary studies
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Dario Brancato
Renaissance literature, digital humanities, Renaissance Florence
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Lorenzo DiTommaso
apocalypticism, cultural history, history of ideas
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Danielle Bobker
British literature, 18th century, Restoration
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Kevin Pask
Renaissance literature, making publics, popular culture
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Darragh Languay
Renaissance literature, Shakespeare, Milton
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Orit Halpern
history of science, social impacts of technology, smart cities
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Tim Clark
creativity, aesthetics, art theory
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Sophie Marcotte
Gabrielle Roy, littérature québécoise, manuscripts
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William Buxton
history of the social sciences, Harold Innis, philanthropy
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Robert Tittler
British history, early modernity, England
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Matthew Barker
philosophy of biology, philosophy of science, categorization
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Johanne Sloan
contemporary art, Canadian art history, visual culture
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Nicola Nixon
American literature, detective fiction, American gothic
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Patrick McDonagh
history of intellectual disability, literature studies, cultural history
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Adeela Arshad-Ayaz
social impacts of technology, pedagogy, citizenship
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Geneviève Sicotte
literature studies, food studies, gastronomy
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Manish Sharma
Old English, medieval literature, Middle English
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Nathan Brown
poetry, poetics, critical theory
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Stephen Powell
medieval literature, Chaucer, romance
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Stephen Ross
poetry, modernism, American literature
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May Chew
immersion, interactivity, cultural studies
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Annie Gérin
Soviet art, public art, satire
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Jessica Auer
photography, cultural history, landscape
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Nabeel Hamid
early modernity, philosophy of science, nature
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Ted McCormick
early modern Europe, history of policy, history of science
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Anya Zilberstein
history of environmental science, Atlantic world, British Empire
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Eric Buzzetti
political philosophy, philosophy and literature, history of philosophy
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Omri Moses
literary modernism, vitalist psychology, selfhood
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Mary Esteve
American literature, post-WWII, literary realism
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Jarrett Carty
Martin Luther, political theory, Reformation
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Brian Lewis
technological change, social impacts of technology, research networks
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Naftali Cohn
ancient Jewish texts, Mishnah, ritual
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Manya Saadi-nejad
Iranian studies, Persian language and culture, Zoroastrianism
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Cynthia Quarrie
British literature, contemporary literature, ethics
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Beverley Best
capitalism, international political economy, globalization
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Marc des Jardins
Tibet, Bön religion, cultural studies
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Shannon McSheffrey
medieval Europe, Tudor England, legal history
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Kristina Huneault
meaning, Canadian art history, selfhood