Some say men have the power. Many men seem powerless. Where do men really stand in a changing world?
Anthony Synnott
- Professor Emeritus
- Department of Sociology and Anthropology
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Marc Lafrance
masculinities, skin, human body
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David Howes
sensory studies, law and society, human body
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John Potvin
modernism, fashion studies, interior design
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André Roy
literature, cinema, criticism
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Evergon
self-portrait, photography, gay sexuality
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Kristina Huneault
meaning, Canadian art history, selfhood
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Zeynep Arsel
material culture, representation, consumption
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Audrey-Anne Bouchard
design for the theatre, lighting design, drama/performance
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Aaron Johnson
human vision, perception, eye movements
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Chih-Chien Wang
everydayness, perception, presence
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Wilson Jacob
Middle East, cultural history, gender and sexuality
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Bianca Grohmann
multisensory marketing, perception, branding
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Walter Wittich
human vision, vision impairment, hearing impairment
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Jane G. V. McGaughey
Irish Diaspora, masculinities, violence
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Geneviève Rail
women's health, sociology of medicine, biopolitics
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Erin Manning
relational art, participatory art, painting
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Bernard Gamoy
visual arts, figurative art, visual fictions
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Stefanie Duguay
networked publics, social media, gender and sexuality
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David Morris
phenomenology, Hegel, movement
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Tim Clark
creativity, aesthetics, art theory
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Rosemary Mountain
aesthetics, music composition, musical analysis
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Omri Moses
literary modernism, vitalist psychology, selfhood
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Carly Daniel-Hughes
early Christianity, gender and sexuality, human body
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Angélique Willkie
dance dramaturgy, contemporary circus, Josephine Baker
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Marielle Nitoslawska
avant-garde cinemas, politics of perception, sensate representation
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Sylvia Santosa
metabolic consequences of obesity, nutrition, metabolism
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Mary di Michele
"langscape", memory, creative writing
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Shira Avni
animation, animated documentary, disability rights
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MJ Thompson
performance studies, dance studies, writing and writing pedagogies
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Natalie Kouri-Towe
gender and sexuality, international solidarity activism, solidarity across difference
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Beverley Best
capitalism, political economy, globalization
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Marisa Portolese
portraiture, women, storytelling
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Stephanie Bolster
ekphrasis, the lyric, poetry
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Ingrid Bachmann
contingent, activities of daily living, embodiment
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Philip Szporer
perception, embodiment, movement
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Joanna Berzowska
electronic textiles, interaction design, responsive garments
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Meredith Evans
Renaissance literature, Shakespeare, Milton
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Christine Jamieson
bioethics, Indigenous spirituality, values
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Christopher Salter
performance art, responsive environments, wireless sensor networks
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Amanda Dawn Christie
transmission arts, radio, intermedia
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Valérie de Courville Nicol
subjectivity, emotions, representation
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Andra McCartney
sound art, listening/hearing, soundwalks
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Monika Kin Gagnon
Expo 67, ethnocultural diversity, memory
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Rachel Berger
India, human body, tradition/modernity
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Donald L. Boisvert
religion and gender, gender and sexuality, homosexuality
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Arseli Dokumaci
critical disability studies, performance studies, micro-activist affordances
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Michael Yaroshevsky
cinematography, photography, perception
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Laura Endacott
visual culture, contemporary art, relational art