How do people listen?
Andra McCartney
- Professor Emeritus
- Department of Communication Studies
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Owen Chapman
sound studies, locative media, electroacoustic studies
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Mark Corwin
electroacoustic studies, music composition, listening/hearing
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Eldad Tsabary
sound-focused aural training, laptop orchestra, electroacoustic studies
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Ricardo Dal Farra
music composition, electroacoustic studies, research-creation
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Amanda Dawn Christie
transmission arts, radio, intermedia
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Rosemary Mountain
aesthetics, music composition, musical analysis
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Sandeep Bhagwati
music making, research-creation, transdisciplinarity
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Lorraine Oades
material culture, performance art, DIY
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Kathy Kennedy
sound studies, voice, music making
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Tagny Duff
viral media, biomedia, vitalities
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Leila Sujir
media arts, 3D digital imaging, virtual environments
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Liselyn Adams
music making, contemporary music, baroque music
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Matt Soar
research-creation, cities, material culture
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Ingrid Bachmann
contingent, activities of daily living, health humanities
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Alison Reiko Loader
history of media arts, feminist media studies, media arts
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Zachary Patterson
transportation planning, sustainable transportation, transportation modeling
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Cynthia Hammond
history of architecture, built environment, urban futures
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Alice Jarry
materiality, urban futures, design for sustainability
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Bill Vorn
machines, artificial behaviors/misbehaviors, performance art
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Noah Drew
voice, acting, voice training
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Christopher Salter
performance art, responsive environments, wireless sensor networks
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Jared Wiercinski
digital libraries, open access, digital scholarship
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Luis C. Sotelo Castro
oral history performance, listening/hearing, experimental theatre
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Craig Morrison
ethnomusicology, popular culture, cultural history
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Christopher Moore
humour and parody, playfulness, social transformation
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Erika Adams
print media, textuality, collective creation
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Donny Seto
urban planning, climate change, sustainable development
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Natalie Nadeau
sculpture, installation, foundry processes
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Matthew Unger
law and society, contemporary accusatory practices, aesthetics
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M. Wright
book design, graphic design, typographic design
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Mat Karas
ceramics, craft, clay
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Julie Soleil Archambault
African studies, youth culture, urban/rural studies
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Audrey-Anne Bouchard
design for the theatre, lighting design, drama/performance
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Arseli Dokumaci
critical disability studies, performance studies, micro-activist affordances
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Chih-Chien Wang
everydayness, perception, presence
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Giuliana Cucinelli
social impacts of technology, youth culture, social media
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Barbara Lorenzkowski
North American history, history of children and youth, war and memory
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Kathleen Vaughan
socially committed art practice, public pedagogies, research-creation
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Joshua Rager
jazz, improvisation, piano
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Joseph Siddiqi
painting, drawing, mindfulness
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Luigi Allemano
animation, drawing, music making
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Walter Wittich
human vision, vision impairment, hearing impairment
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Govind Gopakumar
mobility, urban infrastructure, cities
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Michael Montanaro
transformation, transmutation, proposition/purpose
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Louis Patrick Leroux
experimental theatre, contemporary circus, drama/performance
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Mitch Mitchell
identity, storytelling, trauma and resilience
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Laura Endacott
visual culture, contemporary art, relational art
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Carmela Cucuzzella
design thinking, built environment, sustainability studies
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Peter Grogono
machine learning, programming languages, process-oriented programming
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Kim Sawchuk
age studies, age-friendly cities, feminism
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Steven High
oral history, public history, working class studies
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Barbara Layne
smart textiles, performance art, textile arts
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Amin Hammad
health monitoring of structures, lifecycle performance optimization, urban infrastructure
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Lynn Hughes
game studies and design, interdisciplinary soup, media arts
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Erin Manning
movement, relational art, radical pedagogy
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Vivek Venkatesh
hate crimes, racialization, radicalization